VIEW IN MY ROOM
United States
Painting, Acrylic on Canvas
Size: 30 W x 30 H x 1.5 D in
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This summery accent or focal painting for kitchens and dining and other areas—featuring the artist’s expressionistic Wavy Gravy technique—appeals to the sense of taste … physically and aesthetically. This piece further combines still life and nocturne in a novel way, making for a highly atmospheric conversational and contemplative artwork. Consider a mismatched pairing of STRAWBERRY NOCTURNE with GOING BANANAS to create a tasty and visually stimulating diptych. The sides of this gallery-wrapped canvas are painted, so framing is optional. Hanging hardware is included. Ships quickly in an art box.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:30 W x 30 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Sol Luckman’s bold, atmospheric compositions have been featured on the covers of Itzhak Beery’s THE GIFT OF SHAMANISM, SHAMANIC TRANSFORMATIONS and SHAMANIC HEALING published by Inner Traditions. The artist’s most recognizable styles, One Brush Technique with ink and Wavy Gravy with acrylic, are employed in his ongoing exploration of spiritual energy. His vision of the world as fundamentally energetic could be called shamanic in its appreciation of the underlying conscious vibrancy of all things. The effect on the viewer just glimpsing this ineffable world underneath or inside the visible can be startling, even unsettling at times; it can also be highly aesthetically stimulating in an otherworldly way. In his self-illustrated art memoir, MUSINGS FROM A SMALL ISLAND, Luckman writes about the influence of the Russian modernist philosopher Viktor Shklovsky, who proposed that what characterizes genuine art is “estrangement.” “The purpose of art is to impart the sensation of things as they are perceived and not as they are known,” wrote Shklovsky. “The technique of art is to make objects ‘unfamiliar,’ to make forms difficult to increase the difficulty and length of perception because the process of perception is an aesthetic end in itself and must be prolonged.” Luckman’s intention is for viewers to encounter estrangement in the universe of intelligent energy intimated in his artwork, as objects condition space with their essence, and vice versa, and the outside conflates with the inside because All Is One.
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