Sunset on the peninsula Painting

I usually start my works with a randomly placed stain or a stroke that manifests a state of meditation in muscular tension to allow myself to be sensitized by the form that has emerged. Then follows the absolutely rational process: balance masses, tones, nuances, textures, etc. Other times I start from an image, an idea, related to colors and textures to seek a synthesis, only achieved when the work, in an intimate dialogue, would generate harmony for me. It is the spirit of the creator, through his penetrating gaze, his imagination, liven up by the history of his livings, and his crafts that realizes the miracle of giving life to a new structure. - The artist like a craftman, as the master Joaquín Torres García said, is a helpful worker, being humble, contemplative and playful, enjoying and astonishing when each new work appears. The work's meaning goes beyond the author's intentions. It reflects his livings, but it has vocation of independent alive being. Then, the watcher, if humble and receptive, projects himself with his history to receive a message from it. As for artists who have influenced my work, I must highlight Joan Miró, whose works I have had the opportunity to see in Barcelona, ​​Rufino Tamayo and Mark Rothko. I also admire sumi-e art and haiku, with its spontaneity and poetry.