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The Descent Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 72 W x 48 H x 1.5 D in

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About The Artwork

Beth: Hey, you love this one, "How do you give a lemon an orgasm?" You tickle its citrus! Beth: [trapped after a cave-in] You put in a flight-plan, right? If we don't report in they'll come looking for us. Rebecca: That's how it's supposed to work, except I put in a flight-plan for Boreham Caverns and this isn't Boreham Caverns, is it Juno? Beth: We're in the wrong fucking cave! Juno: Holly was right! Boreham Caverns was a tourist trap! Holly: Don't try and pin this fucking shit on me! Rebecca: This is not caving, this is an ego-trip. Sam: Where are we? Juno: It hasn't got a name. It's a new system. I wanted us all to discover it! No one's ever been down here before. Sam: Are you fucking kidding me? Holly: [Sarah has just been scared by a bunch of bats which attacked her. Holly films the bats flying away] [in imitation of 'The Count' from Sesame Street] Holly: One bat, two bats, fifty bats! [Beth comes up to her] Beth: Holly... Fuck off [Repeated line] Juno: It'll be fine. Beth: Sarah... don't leave me like this. Sarah: No. Please don't ask me to do that. Beth: Please. Sarah: I can't. I can't do that. I can't do that. Beth: Please. Sarah: OK. Shh. Close your eyes. Beth: I'm an English teacher, not fucking Tomb Raider. Sarah: [Sarah uses Holly's camera in night vision mode and sees all of the dead animal bones] Dead animals! Hundreds of them! Beth: This is not good, guys. Sam: Can we get out of here? Rebecca: Which way? Juno: [Uses lighter to try and find the breeze] Come on. [the lighter's flame does not move] Juno: I don't know. Beth: What do you mean you don't know? Juno: There's no breeze! It could be any one of these tunnels! Take your pick! Rebecca: Oh, fuck it! [yelling] Rebecca: Helloooooo! Juno: [trying to calm down Rebecca] Please! Rebecca: [continuing to yell] Is there anybody there? Beth: [also yelling] Hello! [HOLY SHIT BALLS!!!!!] from ‘The Descent’ (2005) Starring Natalie Mendoza (Moulin Rouge!), Shauna Macdonald (Howl), Alex Reid (Jetsam), MyAnna Buring (The Twilight Saga: Breaking Dawn - Part 1), Nora-Jane No-one (Brooklyn), and Saskia Mulder (The Beach). Written and Directed by Neil Marshall (Milla’s Hellboy). The Descent is a 2005 British adventure horror film written and directed by Neil Marshall. The film follows six women who, having entered a cave system, struggle to survive against the humanoid creatures inside. Filming took place in the United Kingdom. Exterior scenes were filmed at Ashridge Park, Hertfordshire, and in Scotland. Because the filmmakers considered it too dangerous and time-consuming to shoot in an actual cave, interior scenes were filmed on sets built at Pinewood Studios near London designed by Simon Bowles. The Descent opened in cinemas in the United Kingdom on 8 July 2005. It premiered in the 2006 Sundance Film Festival and released on 4 August 2006 in the United States. The film received positive reviews and was a box-office success, grossing $57.1 million against a £3.5 million budget. A sequel, titled The Descent Part 2, directed by the first film's editor Jon Harris, was released in 2009. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 48 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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