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The Grand Budapest Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 72 W x 60 H x 1.5 D in

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Mr. Moustafa: [on M.Gustave] There are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity... He was one of them. What more is there to say? M. Gustave: Rudeness is merely an expression of fear. People fear they won't get what they want. The most dreadful and unattractive person only needs to be loved, and they will open up like a flower. Dmitri: If I learn you ever once laid a finger on my mother's body, living or dead, I swear to God, I'll cut your throat! You hear me? M. Gustave: I thought I was supposed to be a fucking faggot. Dmitri: You are, but you're bisexual. Young Writer: Is it simply your last connection to that banished world - his world, if you will? Mr. Moustafa: His world? No, I don't think so. You see, we shared a vocation, it wouldn't have been necessary. No, the hotel I keep for Agatha. We were happy here, for a little while. Mr. Moustafa: To be frank, I think his world had vanished long before he ever entered it. But I will say, he certainly sustained the illusion with a marvelous grace. Pinky: Me and the boys talked it over. We think you're a really straight fellow. M. Gustave: Well, I've never been accused of that before, but I appreciate the sentiment. Dmitri: [about M. Gustave] This criminal has plagued my family for nearly 20 years. He's a ruthless adventurer and a con artist who preys on mentally feeble, sick old ladies! And he probably fucks them, too! M. Gustave: I go to bed with all my friends. [Dmitri punches M. Gustave, Zero punches Dmitri, Jopling punches Zero] M. Gustave: Well, what does it say? Where is it? What's it all about, damn it? Don't keep us in suspense, Serge, this has been a complete fucking nightmare! Just tell us what the fuck is going on! M. Gustave: If I die first, and I almost certainly will, you will be my sole heir. There's not much in the kitty, except a set of ivory-backed hairbrushes and my library of romantic poetry, but when the time comes, these will be yours. Along with whatever we haven't already spent on whores and whiskey. M. Gustave: Why do you want to be a lobby boy? Zero: Well, who wouldn't - at the Grand Budapest, sir. It's an institution. M. Gustave: [Upon seeing Ludwig's map of Checkpoint 19] Who drew this? Ludwig: What do you mean, "who drew this"? I did. M. Gustave: Very good; you've got a wonderful line, Ludwig! This shows great artistic promise. M. Gustave: Keep your hands off my lobby boy! Zero: What happened? M. Gustave: What happened, my dear Zero, is I beat the living shit out of a sniveling little runt called Pinky Bandinski, who had the gall to question my virility. Because, if there's one thing we've learned from penny dreadfuls, it's that when you find yourself in a place like this, you must never be a candy ass; you've got to prove yourself from day one. You've got to win their respect. You should take a long look at HIS ugly mug this morning. [Takes a sip of water and laughs] M. Gustave: He's actually become a dear friend. M. Gustave: You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that's what we provide in our own modest, humble, insignificant... oh, fuck it. Henckels: By order of the commissioner of police, Zubrowka Province, I hereby place you under arrest for the murder of Madame Celine Villenueve Desgoffe-und-Taxis. M. Gustave: I knew there was something fishy. We never got the cause of death. She's been murdered, and you think I did it. [runs away] from ’The Grand Budapest Hotel’ (2014) Starring He Who Must Not Be Named (Schindler’s List), Mathieu Amalric (The Diving Bell and the Butterfly), Bill Murray (Where the Buffalo Roam), Jude Law (Cold Mountain), Willem Dafoe (At Eternity’s Gate), He Killed Mozart (Surviving the Game), Jeff Goldblum (Isle of Dogs), Saoirse Ronan (Hanna), Edward Norton (The Incredible Hulk), Adrien Brody (The Darjeeling Limited), Jason Schwartzman (Scott Pilgrim vs. the World), Tilda Swinton (Snowpiercer), and Harvey Keitel (Sister Act). Written and Directed by the Man himself Wes Anderson (Bottle Rocket). Inspired by the writings of Stefan Zweig (Mary Queen of Scots). The Grand Budapest Hotel is a 2014 comedy-drama film written and directed by Wes Anderson. Ralph Fiennes leads a seventeen-actor ensemble cast as Monsieur Gustave H., famed concierge of a twentieth-century mountainside resort in the fictional country of Zubrowka. When Gustave is framed for the murder of a wealthy dowager (Tilda Swinton), he and his recently befriended protégé Zero (Tony Revolori) embark on a quest for fortune and a priceless Renaissance painting amidst the backdrop of an encroaching fascist regime. Anderson's American Empirical Pictures produced the film in association with Studio Babelsberg, Fox Searchlight Pictures, and Indian Paintbrush's Scott Rudin and Steven Rales. Fox Searchlight supervised the commercial distribution, and The Grand Budapest Hotel's funding was sourced through Indian Paintbrush and German government-funded tax rebates. Anderson and longtime collaborator Hugo Guinness conceived The Grand Budapest Hotel as a fragmented tale following a character inspired by a common friend. They initially struggled in their brainstorming, but the experience touring Europe and researching the literature of Austrian novelist Stefan Zweig shaped their ambitions for the film. The Grand Budapest Hotel draws visually from Europe-set mid-century Hollywood films and the Library of Congress's photochrom print collection of alpine resorts. Principal photography took place in eastern Germany from January to March 2013. French composer Alexandre Desplat composed the symphonic, Russian folk-inspired score, which expanded on his early work with Anderson. The film explores themes of fascism, nostalgia, friendship, and loyalty, and further studies emphasize the function of color as an important storytelling device. The Grand Budapest Hotel premiered in competition at the 64th Berlin International Film Festival on February 6, 2014. The French theatrical release on February 26 preceded the film's global rollout, followed by releases in Germany, North America, and the United Kingdom on March 6–7. Cited as one of the greatest features of the twenty-first century, The Grand Budapest Hotel received highly positive reviews for its craftsmanship, acting, and comedy, although occasional criticism centered on the film's approach to the subject matter. It earned US$172.9 million in box office revenue worldwide, Anderson's highest grossing feature to date. The film led the 87th Academy Awards season with nine nominations (winning four), and earned several other honors chiefly for writing and technical achievement. Wesley Wales Anderson (born May 1, 1969) is an American filmmaker. His films are known for their symmetry, eccentricity and distinctive visual and narrative styles, and he is regarded by some critics as a modern-day example of the auteur. Three of his films – The Royal Tenenbaums, Moonrise Kingdom, and The Grand Budapest Hotel – appeared in BBC Culture's 2016 poll of the greatest films since 2000. Anderson was nominated for the Academy Award for Best Original Screenplay for The Royal Tenenbaums (2001), Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014), as well as the Academy Award for Best Animated Feature for the stop-motion films Fantastic Mr. Fox (2009) and Isle of Dogs (2018). With The Grand Budapest Hotel, he received his first Academy Award nominations for Best Director and Best Picture, and won the Golden Globe Award for Best Motion Picture – Musical or Comedy and the BAFTA Award for Best Original Screenplay. He currently runs the production company American Empirical Pictures, which he founded in 1998. He won the Silver Bear for Best Director for Isle of Dogs in 2018. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 60 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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