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The Lady Vanishes Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 48 W x 48 H x 1.5 D in

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About The Artwork

Gilbert: Come on, sit down, take it easy. What's the trouble? Iris Henderson: If you must know, something fell on my head. Gilbert: When, infancy? Gilbert: I'm about as popular as a dose of strychnine. Miss Froy: ln the six years l've lived here, l've grown to love the country. Especially the mountains. l sometimes think they're like very friendly neighbors. You know, the big father and mother mountains with their white snow hats. And their nephews and nieces, not quite so big, with smaller hats. Right down to the tiniest hillock without any hat at all. Well, of course, that's just my fancy. Iris Henderson: Did you notice the nun in there with the patient? Gilbert: No, not really... Iris Henderson: Nuns don't wear high heels. Gilbert Redman: Naughty. Naughty. You know, that's a very large nose for a very small pair of spectacles! Charters: What a country. No wonder they have revolutions. Miss Froy: Everyone sings here. The people are just like happy children with laughter in their lips and music in their hearts. Charters: It's not reflected in their politics, you know. Miss Froy: I never think you should judge any country by its politics. After all, we English are quite honest by nature, aren't we? Gilbert: Can I help? Iris Henderson: Only by going away. Gilbert: No, no, no, no. My father always taught me, never desert a lady in trouble. He even carried that as far as marrying Mother. Gilbert: Never climb a fence if you can sit on it. from ’The Lady Vanishes’ (1938) Starring Margaret Lockwood (Susannah of the Mounties), Michal Redgrave (The Battle of Britain), Paul Lukas (The Countess of Monte Cristo), and May Whitty (Suspicion). Screenplay by Sidney Gilliat (A Yank at Oxford) and Frank Launder (The Blue Lagoon). Directed by the Genius himself Alfred Hitchcock (Saboteur). Based on the story by Ethel Lina White (The Spiral Staircase). The Lady Vanishes is a 1938 British mystery thriller film directed by Alfred Hitchcock, starring Margaret Lockwood and Michael Redgrave. Written by Sidney Gilliat and Frank Launder, based on the 1936 novel The Wheel Spins by Ethel Lina White, the film is about a beautiful English tourist travelling by train in continental Europe who discovers that her elderly travelling companion seems to have disappeared from the train. After her fellow passengers deny ever having seen the elderly lady, the young woman is helped by a young musicologist, the two proceeding to search the train for clues to the old lady's disappearance. The Lady Vanishes was filmed at the Gainsborough Studios in Islington, London. Hitchcock caught Hollywood's attention with the film and moved to Hollywood soon after its release. Although the director's three previous efforts had done poorly at the box office, The Lady Vanishes was widely successful, and confirmed American producer David O. Selznick's belief that Hitchcock indeed had a future in Hollywood cinema. The British Film Institute ranked The Lady Vanishes the 35th best British film of the 20th century. In 2017, a poll of 150 actors, directors, writers, producers and critics for Time Out magazine saw it ranked the 31st best British film ever. It is one of Hitchcock's most renowned British films, and the first of three screen versions of White's novel to date. Sir Alfred Joseph Hitchcock KBE (13 August 1899 – 29 April 1980) was an English film director, producer, and screenwriter. He is one of the most influential and widely studied filmmakers in the history of cinema. Known as the "Master of Suspense", he directed over 50 feature films in a career spanning six decades, becoming as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing the television anthology Alfred Hitchcock Presents (1955–65). His films garnered 46 Academy Award nominations including six wins, although he never won for Best Director despite having had five nominations. Born in Leytonstone, London, Hitchcock entered the film industry in 1919 as a title card designer after training as a technical clerk and copy writer for a telegraph-cable company. He made his directorial debut with the British-German silent film The Pleasure Garden (1925). His first successful film, The Lodger: A Story of the London Fog (1927), helped to shape the thriller genre, while his 1929 film, Blackmail, was the first British "talkie". Two of his 1930s thrillers, The 39 Steps (1935) and The Lady Vanishes (1938), are ranked among the greatest British films of the 20th century. By 1939, Hitchcock was a filmmaker of international importance, and film producer David O. Selznick persuaded him to move to Hollywood. A string of successful films followed, including Rebecca (1940), Foreign Correspondent (1940), Suspicion (1941), Shadow of a Doubt (1943), and Notorious (1946). Rebecca won the Academy Award for Best Picture, although Hitchcock himself was only nominated as Best Director; he was also nominated for Lifeboat (1944) and Spellbound (1945). The "Hitchcockian" style includes the use of camera movement to mimic a person's gaze, thereby turning viewers into voyeurs, and framing shots to maximise anxiety and fear. The film critic Robin Wood wrote that the meaning of a Hitchcock film "is there in the method, in the progression from shot to shot. A Hitchcock film is an organism, with the whole implied in every detail and every detail related to the whole." Hitchcock made multiple films with some of the biggest stars of Hollywood, including four with Cary Grant in the 1940s and 50s, three with Ingrid Bergman in the last half of the 1940s, four with James Stewart over a ten-year span commencing in 1948, and three with Grace Kelly in the mid-1950s. After a brief lull of commercial success in the late 1940s, Hitchcock returned to form with Strangers on a Train (1951) and Dial M For Murder (1954). Between 1954 and 1960, Hitchcock directed four films often ranked among the greatest of all time: Rear Window(1954), Vertigo (1958), North by Northwest (1959), and Psycho (1960), the first and last of these garnering him Best Director nominations. In 2012, his psychological thriller Vertigo, starring Stewart, displaced Orson Welles' Citizen Kane (1941) as the British Film Institute's greatest film ever made based on its world-wide poll of hundreds of film critics. By 2018 eight of his films had been selected for preservation in the United States National Film Registry, including The Birds (1963) and his personal favourite, Shadow of a Doubt (1943). He received the BAFTA Fellowship in 1971, the AFI Life Achievement Award in 1979 and was knighted in December that year, four months before he died. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 48 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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