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The tide is high but I'm holdin' on
I'm gonna be your number one
I'm not the kinda girl who gives up just like that, oh no
It's not the things you do that tease and hurt me bad
But it's the way you do the things you do to me
I'm not the kinda girl who gives up just like that, oh no
The tide is high but I'm holdin' on
I'm gonna be your number one, number one
Ev'ry girl wants you to be her man
But I'll wait my dear till it's my turn
I'm not the kinda girl who gives up just like that, oh no
The tide is high but I'm holdin' on
I'm gonna be your number one, number one, number one
Ev'ry girl wants you to be her man
But I'll wait my dear till it's my turn
I'm not the kinda girl who gives up just like that, oh no
The tide is high but I'm holding on
I'm gonna be your number one, number one, number one
The tide is high but I'm holding on
I'm gonna be your number one
The tide is high but I'm holding on
I'm gonna be your number one
The tide is high but I'm holding on
I'm gonna be your number one
The tide is high but I'm holding on
I'm gonna be your number one

‘The Tide Is High’ by Blondie
Songwriters: John Kenneth Holt / Tyrone Evans


"The Tide Is High" is a 1967 song written by John Holt, originally produced by Duke Reid and performed by the Jamaican group The Paragons, with Holt as lead singer. The song gained international attention in 1980, when a reggae version by the American band Blondie became a US/UK number one hit. The British girl group Atomic Kitten also had a number one hit with their version of the song in 2002, while Canadian rapper Kardinal Offishall had a minor hit with his interpretation in 2008.

"The Tide Is High" was covered by the American new wave band Blondie in 1980, in a reggae style that included horns and strings. It was released as the lead single from the band's fifth studio album, Autoamerican (1980), giving Blondie their third number one single on the US Billboard Hot 100 chart and their fifth in the UK (where it became Blondie's last British number one for 18 years, until "Maria" in February 1999). The track also reached number one in Canada and New Zealand, and was a Top 5 hit on many European charts as well as in countries including Australia and South Africa. The B-side was "Suzie & Jeffrey", which appeared as a bonus track on the original 1980 cassette edition of the Autoamerican album, and was also included on EMI-Capitol's re-issue of Autoamerican in 2001.

Official remixes of the Blondie version have been issued twice; first by Coldcut in 1988 on the Blondie/Debbie Harry remix compilation Once More into the Bleach, and the second time in 1995 by Pete Arden and Vinny Vero on the album Remixed Remade Remodeled: The Remix Project (UK edition: Beautiful: The Remix Album).
Blondie re-recorded the song for the 2014 compilation album Greatest Hits Deluxe Redux. The compilation was part of a 2-disc set called Blondie 4(0) Ever, which included their tenth studio album Ghosts of Download, and marked the 40th anniversary of the band's formation.

A music video (using the single edit version) was produced, directed by Hart Perry. It depicts the band waiting out on the street for singer Debbie Harry, who appears to be trapped in a flooding apartment. All the while she is being monitored from outer space by what appears to be a Darth Vader-like alien being. She soon reunites with the band on the street and they drive to a rocket launchand fly into space. They then crash into the spaceship or space station. Harry confronts the alien being and begins dancing with him.


Blondie is an American rock band co-founded by singer Debbie Harry and guitarist Chris Stein. The band were pioneers in the American punk and then the new wave scene of the mid/late-1970s New York City. Their first two albums contained strong elements of these genres, and although highly successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles including "Heart of Glass", "Call Me", "Rapture" and "The Tide Is High". The band became noted for its eclectic mix of musical styles, incorporating elements of disco, pop, reggae, and early rap music.

Blondie disbanded after the release of its sixth studio album, The Hunter, in 1982. Debbie Harry continued to pursue a solo career with varied results after taking a few years off to care for partner Chris Stein, who was diagnosed with pemphigus, a rare autoimmune disease of the skin. The band re-formed in 1997, achieving renewed success and a number one single in the United Kingdom with "Maria" in 1999, exactly 20 years after their first UK No. 1 single ("Heart of Glass").

The group toured and performed throughout the world during the following years, and was inducted into the Rock and Roll Hall of Fame in 2006. Blondie has sold around 40 million records worldwide and is still active. The band's eleventh studio album, Pollinator, was released on May 5, 2017.


Deborah Ann Harry (born Angela Trimble; July 1, 1945) is an American singer, songwriter and actress, known as the lead vocalist of the band Blondie. Her recordings with the band reached No. 1 in the US and UK charts on many occasions from 1979 to 2017. 

Born in Miami, Florida, Harry was adopted as an infant and raised in Hawthorne, New Jersey. After attending college, she worked various jobs, including as a secretary (including at the BBC in New York), dancer, and Playboy Bunny, before breaking through in the music industry. Harry co-formed Blondie in 1974 in New York City. The band released their eponymous debut album in 1976, and released a further three albums between then and 1979, including Parallel Lines, which spawned six singles, including "Heart of Glass". Their fifth record, Autoamerican (1980), afforded Harry and the band further attention, spawning such hits as a cover of "The Tide Is High", and "Rapture", the latter of which is considered the first rap song to chart at number one in the United States.

In 1981, Harry released her debut solo album, KooKoo, and, during a hiatus of Blondie, embarked on an acting career, appearing in lead roles in the neo-noir Union City (1980) and in David Cronenberg's body horror film Videodrome (1983). She released her second solo album, Rockbird, in 1986, and subsequently starred in John Waters's cult dance film Hairspray (1988). Harry went on to release two more solo albums between then and 1993, after which she returned to film with roles in a John Carpenter-directed segment of the horror film Body Bags (1993), and in the drama Heavy (1995).

Blondie reunited in the late 1990s, releasing No Exit (1999), followed by The Curse of Blondie (2003). Harry continued to appear in independent films throughout the 2000s, including Deuces Wild (2002), My Life Without Me (2003) and Eulogy (2008). With Blondie, she released the group's ninth studio album, Panic of Girls, in 2011, followed by Ghosts of Download (2014). The band's eleventh studio album, 2017's Pollinator, charted at number 4 in the United Kingdom.

Source: Wikipedia
The tide is high but I'm holdin' on
I'm gonna be your number one
I'm not the kinda girl who gives up just like that, oh no
It's not the things you do that tease and hurt me bad
But it's the way you do the things you do to me
I'm not the kinda girl who gives up just like that, oh no
The tide is high but I'm holdin' on
I'm gonna be your number one, number one
Ev'ry girl wants you to be her man
But I'll wait my dear till it's my turn
I'm not the kinda girl who gives up just like that, oh no
The tide is high but I'm holdin' on
I'm gonna be your number one, number one, number one
Ev'ry girl wants you to be her man
But I'll wait my dear till it's my turn
I'm not the kinda girl who gives up just like that, oh no
The tide is high but I'm holding on
I'm gonna be your number one, number one, number one
The tide is high but I'm holding on
I'm gonna be your number one
The tide is high but I'm holding on
I'm gonna be your number one
The tide is high but I'm holding on
I'm gonna be your number one
The tide is high but I'm holding on
I'm gonna be your number one

‘The Tide Is High’ by Blondie
Songwriters: John Kenneth Holt / Tyrone Evans


"The Tide Is High" is a 1967 song written by John Holt, originally produced by Duke Reid and performed by the Jamaican group The Paragons, with Holt as lead singer. The song gained international attention in 1980, when a reggae version by the American band Blondie became a US/UK number one hit. The British girl group Atomic Kitten also had a number one hit with their version of the song in 2002, while Canadian rapper Kardinal Offishall had a minor hit with his interpretation in 2008.

"The Tide Is High" was covered by the American new wave band Blondie in 1980, in a reggae style that included horns and strings. It was released as the lead single from the band's fifth studio album, Autoamerican (1980), giving Blondie their third number one single on the US Billboard Hot 100 chart and their fifth in the UK (where it became Blondie's last British number one for 18 years, until "Maria" in February 1999). The track also reached number one in Canada and New Zealand, and was a Top 5 hit on many European charts as well as in countries including Australia and South Africa. The B-side was "Suzie & Jeffrey", which appeared as a bonus track on the original 1980 cassette edition of the Autoamerican album, and was also included on EMI-Capitol's re-issue of Autoamerican in 2001.

Official remixes of the Blondie version have been issued twice; first by Coldcut in 1988 on the Blondie/Debbie Harry remix compilation Once More into the Bleach, and the second time in 1995 by Pete Arden and Vinny Vero on the album Remixed Remade Remodeled: The Remix Project (UK edition: Beautiful: The Remix Album).
Blondie re-recorded the song for the 2014 compilation album Greatest Hits Deluxe Redux. The compilation was part of a 2-disc set called Blondie 4(0) Ever, which included their tenth studio album Ghosts of Download, and marked the 40th anniversary of the band's formation.

A music video (using the single edit version) was produced, directed by Hart Perry. It depicts the band waiting out on the street for singer Debbie Harry, who appears to be trapped in a flooding apartment. All the while she is being monitored from outer space by what appears to be a Darth Vader-like alien being. She soon reunites with the band on the street and they drive to a rocket launchand fly into space. They then crash into the spaceship or space station. Harry confronts the alien being and begins dancing with him.


Blondie is an American rock band co-founded by singer Debbie Harry and guitarist Chris Stein. The band were pioneers in the American punk and then the new wave scene of the mid/late-1970s New York City. Their first two albums contained strong elements of these genres, and although highly successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles including "Heart of Glass", "Call Me", "Rapture" and "The Tide Is High". The band became noted for its eclectic mix of musical styles, incorporating elements of disco, pop, reggae, and early rap music.

Blondie disbanded after the release of its sixth studio album, The Hunter, in 1982. Debbie Harry continued to pursue a solo career with varied results after taking a few years off to care for partner Chris Stein, who was diagnosed with pemphigus, a rare autoimmune disease of the skin. The band re-formed in 1997, achieving renewed success and a number one single in the United Kingdom with "Maria" in 1999, exactly 20 years after their first UK No. 1 single ("Heart of Glass").

The group toured and performed throughout the world during the following years, and was inducted into the Rock and Roll Hall of Fame in 2006. Blondie has sold around 40 million records worldwide and is still active. The band's eleventh studio album, Pollinator, was released on May 5, 2017.


Deborah Ann Harry (born Angela Trimble; July 1, 1945) is an American singer, songwriter and actress, known as the lead vocalist of the band Blondie. Her recordings with the band reached No. 1 in the US and UK charts on many occasions from 1979 to 2017. 

Born in Miami, Florida, Harry was adopted as an infant and raised in Hawthorne, New Jersey. After attending college, she worked various jobs, including as a secretary (including at the BBC in New York), dancer, and Playboy Bunny, before breaking through in the music industry. Harry co-formed Blondie in 1974 in New York City. The band released their eponymous debut album in 1976, and released a further three albums between then and 1979, including Parallel Lines, which spawned six singles, including "Heart of Glass". Their fifth record, Autoamerican (1980), afforded Harry and the band further attention, spawning such hits as a cover of "The Tide Is High", and "Rapture", the latter of which is considered the first rap song to chart at number one in the United States.

In 1981, Harry released her debut solo album, KooKoo, and, during a hiatus of Blondie, embarked on an acting career, appearing in lead roles in the neo-noir Union City (1980) and in David Cronenberg's body horror film Videodrome (1983). She released her second solo album, Rockbird, in 1986, and subsequently starred in John Waters's cult dance film Hairspray (1988). Harry went on to release two more solo albums between then and 1993, after which she returned to film with roles in a John Carpenter-directed segment of the horror film Body Bags (1993), and in the drama Heavy (1995).

Blondie reunited in the late 1990s, releasing No Exit (1999), followed by The Curse of Blondie (2003). Harry continued to appear in independent films throughout the 2000s, including Deuces Wild (2002), My Life Without Me (2003) and Eulogy (2008). With Blondie, she released the group's ninth studio album, Panic of Girls, in 2011, followed by Ghosts of Download (2014). The band's eleventh studio album, 2017's Pollinator, charted at number 4 in the United Kingdom.

Source: Wikipedia
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The Tide Is High Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 30 W x 30 H x 1.5 D in

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About The Artwork

The tide is high but I'm holdin' on I'm gonna be your number one I'm not the kinda girl who gives up just like that, oh no It's not the things you do that tease and hurt me bad But it's the way you do the things you do to me I'm not the kinda girl who gives up just like that, oh no The tide is high but I'm holdin' on I'm gonna be your number one, number one Ev'ry girl wants you to be her man But I'll wait my dear till it's my turn I'm not the kinda girl who gives up just like that, oh no The tide is high but I'm holdin' on I'm gonna be your number one, number one, number one Ev'ry girl wants you to be her man But I'll wait my dear till it's my turn I'm not the kinda girl who gives up just like that, oh no The tide is high but I'm holding on I'm gonna be your number one, number one, number one The tide is high but I'm holding on I'm gonna be your number one The tide is high but I'm holding on I'm gonna be your number one The tide is high but I'm holding on I'm gonna be your number one The tide is high but I'm holding on I'm gonna be your number one ‘The Tide Is High’ by Blondie Songwriters: John Kenneth Holt / Tyrone Evans "The Tide Is High" is a 1967 song written by John Holt, originally produced by Duke Reid and performed by the Jamaican group The Paragons, with Holt as lead singer. The song gained international attention in 1980, when a reggae version by the American band Blondie became a US/UK number one hit. The British girl group Atomic Kitten also had a number one hit with their version of the song in 2002, while Canadian rapper Kardinal Offishall had a minor hit with his interpretation in 2008. "The Tide Is High" was covered by the American new wave band Blondie in 1980, in a reggae style that included horns and strings. It was released as the lead single from the band's fifth studio album, Autoamerican (1980), giving Blondie their third number one single on the US Billboard Hot 100 chart and their fifth in the UK (where it became Blondie's last British number one for 18 years, until "Maria" in February 1999). The track also reached number one in Canada and New Zealand, and was a Top 5 hit on many European charts as well as in countries including Australia and South Africa. The B-side was "Suzie & Jeffrey", which appeared as a bonus track on the original 1980 cassette edition of the Autoamerican album, and was also included on EMI-Capitol's re-issue of Autoamerican in 2001. Official remixes of the Blondie version have been issued twice; first by Coldcut in 1988 on the Blondie/Debbie Harry remix compilation Once More into the Bleach, and the second time in 1995 by Pete Arden and Vinny Vero on the album Remixed Remade Remodeled: The Remix Project (UK edition: Beautiful: The Remix Album). Blondie re-recorded the song for the 2014 compilation album Greatest Hits Deluxe Redux. The compilation was part of a 2-disc set called Blondie 4(0) Ever, which included their tenth studio album Ghosts of Download, and marked the 40th anniversary of the band's formation. A music video (using the single edit version) was produced, directed by Hart Perry. It depicts the band waiting out on the street for singer Debbie Harry, who appears to be trapped in a flooding apartment. All the while she is being monitored from outer space by what appears to be a Darth Vader-like alien being. She soon reunites with the band on the street and they drive to a rocket launchand fly into space. They then crash into the spaceship or space station. Harry confronts the alien being and begins dancing with him. Blondie is an American rock band co-founded by singer Debbie Harry and guitarist Chris Stein. The band were pioneers in the American punk and then the new wave scene of the mid/late-1970s New York City. Their first two albums contained strong elements of these genres, and although highly successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles including "Heart of Glass", "Call Me", "Rapture" and "The Tide Is High". The band became noted for its eclectic mix of musical styles, incorporating elements of disco, pop, reggae, and early rap music. Blondie disbanded after the release of its sixth studio album, The Hunter, in 1982. Debbie Harry continued to pursue a solo career with varied results after taking a few years off to care for partner Chris Stein, who was diagnosed with pemphigus, a rare autoimmune disease of the skin. The band re-formed in 1997, achieving renewed success and a number one single in the United Kingdom with "Maria" in 1999, exactly 20 years after their first UK No. 1 single ("Heart of Glass"). The group toured and performed throughout the world during the following years, and was inducted into the Rock and Roll Hall of Fame in 2006. Blondie has sold around 40 million records worldwide and is still active. The band's eleventh studio album, Pollinator, was released on May 5, 2017. Deborah Ann Harry (born Angela Trimble; July 1, 1945) is an American singer, songwriter and actress, known as the lead vocalist of the band Blondie. Her recordings with the band reached No. 1 in the US and UK charts on many occasions from 1979 to 2017. Born in Miami, Florida, Harry was adopted as an infant and raised in Hawthorne, New Jersey. After attending college, she worked various jobs, including as a secretary (including at the BBC in New York), dancer, and Playboy Bunny, before breaking through in the music industry. Harry co-formed Blondie in 1974 in New York City. The band released their eponymous debut album in 1976, and released a further three albums between then and 1979, including Parallel Lines, which spawned six singles, including "Heart of Glass". Their fifth record, Autoamerican (1980), afforded Harry and the band further attention, spawning such hits as a cover of "The Tide Is High", and "Rapture", the latter of which is considered the first rap song to chart at number one in the United States. In 1981, Harry released her debut solo album, KooKoo, and, during a hiatus of Blondie, embarked on an acting career, appearing in lead roles in the neo-noir Union City (1980) and in David Cronenberg's body horror film Videodrome (1983). She released her second solo album, Rockbird, in 1986, and subsequently starred in John Waters's cult dance film Hairspray (1988). Harry went on to release two more solo albums between then and 1993, after which she returned to film with roles in a John Carpenter-directed segment of the horror film Body Bags (1993), and in the drama Heavy (1995). Blondie reunited in the late 1990s, releasing No Exit (1999), followed by The Curse of Blondie (2003). Harry continued to appear in independent films throughout the 2000s, including Deuces Wild (2002), My Life Without Me (2003) and Eulogy (2008). With Blondie, she released the group's ninth studio album, Panic of Girls, in 2011, followed by Ghosts of Download (2014). The band's eleventh studio album, 2017's Pollinator, charted at number 4 in the United Kingdom. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 30 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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