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Theia (4.5 Billion Years Ago) Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 36 W x 60 H x 1.5 D in

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About The Artwork

Theia is a hypothesized ancient planet in the early Solar System that, according to the giant-impact hypothesis, collided with the early Earth around 4.5 billion years ago, with some of the resulting ejected debris gathering to form the Moon. In addition to explaining Earth's large moon, the Theia hypothesis can also explain why Earth's core is larger than would be expected for a body its size; Theia's core and mantle mixed with Earth's core and mantle. According to one version of the hypothesis, Theia was an Earth trojan about the size of Mars, with a diameter of about 6,102 km (3,792 miles). Additional evidence published in 2019 suggests that Theia might have formed in the outer Solar System rather than the inner Solar System, and that much of Earth's water originated on Theia. Name: Theia was named for the titaness Theia, who in Greek mythology was the mother of Selene, the goddess of the moon, which parallels the planet Theia's collision with the early Earth that is theorized to have created the Moon. In modern Greek, it has the same origin with the words "θείος" (theios) and "θεία" (theia) ('uncle' and 'aunt', also meaning 'divine' in ancient greek). Orbit: Theia is thought to have orbited in the L4 or L5 configuration presented by the Earth–Sun system, where it would tend to remain. In that case, it would have grown, potentially to a size comparable to Mars. Gravitational perturbations by Venus could have eventually put it onto a collision course with the early Earth. Collision: According to the giant-impact hypothesis, Theia orbited the Sun, nearly along the orbit of the proto-Earth, by staying close to one or the other of the Sun–Earth system's two more stable Lagrangian points ( i.e., either L4 or L5). Theia was eventually perturbed away from that relationship by the gravitational influence of Jupiter and/or Venus, resulting in a collision between Theia and Earth. Computer simulations suggest that Theia was traveling no faster than 4 km/s (8,900 mph) when it struck Earth at an estimated 45-degree angle. Originally, the hypothesis supposed that Theia had struck Earth with a glancing blow and ejected many pieces of both the proto-Earth and Theia, those pieces either forming one body that became the Moon or forming two moons that eventually merged to form the Moon. Such accounts assumed that if Theia had struck the proto-Earth head-on both planets would have been destroyed, creating a short-lived second asteroid belt between the orbits of Venus and Mars. In contrast, evidence published in January 2016 suggests that the impact was indeed a head-on collision and that Theia's remains can be found in both the Earth and the Moon. Hypotheses: From the beginning of modern astronomy, there have been at least four hypotheses for the origin of the Moon: A single body split into Earth and Moon The Moon was captured by Earth's gravity (as most of the outer planets' smaller moons were captured) The Earth and Moon formed at the same time when the protoplanetary disk accreted The Theia-impact scenario described above. The lunar rock samples retrieved by Apollo astronauts were found to be very similar in composition to Earth's crust, and so were likely removed from Earth in some violent event. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 60 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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