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Tractor, wall mounted
Tractor, wall mounted
Tractor, detail.
Tractor, detail.
Tractor, detail.
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Tractor Painting

Christian Dodd

United Kingdom

Painting, Acrylic on Canvas

Size: 30 W x 30 H x 0.8 D in

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Originally listed for $1,280
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About The Artwork

Vintage Ferguson TE20 tractor on a hay background. Large square pop art piece with an agricultural theme. Both the tractor and the hay background are brightly lit giving strong contrast and vivid illustrative realism despite the simplified painting style. The hay background has been loosely painted so as to appear almost abstract when viewed close up but coming into focus at a distance. This particular tractor appealed as a subject due to it's anthropomorphic qualities which are as much a result of it's time worn state as it's design. The damaged grill seems like a mouth with missing teeth for example. More images of this painting can be seen at http://www.khew.co.uk/?p=185.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 30 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I've explored many subjects over my thirty year practice but my current focus centres around multi-panelled pieces inspired by the mechanics of slide puzzles. In these palimpsest works, I apply multiple layers of images, marks and patterns so that they occupy the same composition but in different states, allowing images and motifs to undergo a transformative process between each layer. This method becomes a metaphor for exploring the intricacies of incompatibility or inevitability and can be disconcertingly jarring or consistently reaffirming dependent upon the work. The deliberate scattering and breaking of images, motifs and symbols allows me to explore many different ideas within a single compositional style and is, for me as an artist, a breakthrough in addressing the disorder and confusion I see in myself and the world around me. Alongside the multi-panelled pieces, I engage in the abstraction of complex subjects in my paintings. By deliberately introducing complexity and then allowing it to evolve into abstraction through the reductive process of painting, I seek to evoke pareidolic reactions from viewers — a reminder of our innate human tendency to find meaning in the seemingly abstract and unfamiliar.

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