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Un papavero (Poppy) Painting

Nini Yūrei Ferrara

Italy

Painting, Acrylic on Paper

Size: 11.8 W x 15.7 H x 0 D in

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$940

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About The Artwork

A poppy becomes a symbol of love for nature, preservation of the environment and the ecosystem. Especially today that unfortunately, due to the infamous race to increase industrial production and the careless use of domestic vehicles, such as the car, the levels of CO2 and other chemicals have risen to such an extent as to endanger not only our health, but also that of generations to come. And I believe that art must also do its part for the protection of the whole environment. Original abstract artwork on fine art watercolor paper Arches 300 gr/mq, fine grain, cold pressed, 40x30 cm format. Extra fine Professional Acrylic colors Golden Open and Liquitex Heavy Body. Signed by the author on the front and on the back and with certificate of authenticity and with personal identification hologram.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:11.8 W x 15.7 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

From my website: Yurei is the name chosen to sign my works of Figurative Art. I don’t perceive it as a coincidence, even if everything in my life first appeared in a game shape . “Just for fun” was also my approach to painting: a long period of convalescence, longing for “something in common” with the one beside me, the curiosity to try my hand at a language that had always fascinated but at the same time scared me; the inability to tell using the brushes, and the colors – I have always been in love with black and white -, and the strokes on the paper, the things that pressed inside me and needed to come out. Even more at that time, because they were days in which I was strongly experiencing the after-effects of a hospitalization that showed its unespected disabling profile. On my birthday I gifted myself a small set of watercolors, the cheapest of the brushes, a pad of paper. Nothing more to find again that “inner child” who took me by the arm along my exepriences with Theater, Writing, Photography, and which I was slowly returning to caress. I began to recover. Watercolours, brushes, paper; they all became crutches. The days were no longer “infinite”. I started walking again. No destination. But I was walking. And as life sensed the rustle of footsteps, the slow pace of walking, the adagio on the ground, revealed unknown obstacles and let them appear before my tracing a path. They lead me. I started looking through a new gaze and I touched the essentiality within which I put back together pieces of my days , thrown away randomly by that something “unexpected” that forced me like laces on the wrists, arms, feet, in a huge sea without shore: my dearest ones, my being what I love, my art. “art” that slowly moved towards its noblest, most ancient meaning again: the art of the farrier, the carpenter, the accountant, the comedian, the painter. Craft. I had no “shop” where to train. The stage only. And my Masters. Without ever telling me anything. But in their silence and in my gaze, they conveyed a being Theater that I found every day among uncertain brushstrokes and invented colors, curiosity, a never-sated “depth”, a desire to make mistakes always in a different way. The need to say, beside. The “inner child”. A man who tells stories by profession and has a neverending curiosity as a tool. Thus, Yurei was born. And I keep travelling, cuz each new day, is not over yet.

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