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Painting, Acrylic on Paper

21.5 W x 28 H in

Framed

$1,710

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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Unhinged is 1 of 16 works in a series called Tribute: Lives Lost. They are all based on my reaction and personal experience during the early days of the Covid19 outbreak. In March of 2020 I was separated from a 14 year theater technician career with Cirque du Soleil in Las Vegas. With ample amount...

Year Created:

2020

Subject:

Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

21.5 W x 28 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Contact us.

Need more information?

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Christina Pina

About the Artist

Christina Pina

United States

Born in Southern California and raised in Colorado, Christina Piña developed an interest in art and creative expression at an early age. Drawing, making objects, constructing environments, and creating performances were all part of an instinctive exploration of the imagination. These early experiences established a connection to creative practice that would eventually extend across fine art, design, and the performing arts.

Piña studied Fine Art at Metropolitan State University in Denver, Colorado, where the art program emphasized conceptual thought alongside the development of a personal visual language. Her studies exposed her to a broad range of artistic traditions, with figurative art, Abstract Expressionism, Neo-Expressionism, and Asian painting becoming particularly influential in shaping her work.

Over time, her work has evolved from earlier investigations of the human form into an increasingly abstract and experimental practice. While the imagery has changed, the underlying inquiry remains: an interest in the essential nature of human experience and the infinite variations that exist within it. Working through color, gesture, texture, and layered surfaces, she explores the space between observation and abstraction, allowing memory, perception, and imagination to shape the work. Rather than offering a fixed narrative, her paintings leave room for ambiguity and personal interpretation.

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