VIEW IN MY ROOM
United States
Painting, Watercolor on Paper
Size: 30 W x 47 H x 1 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
The two questions I get asked the most are “Is this Bonnie of Bonnie and Clyde” or “Is that you (the artist),” and the answer is, this painting was based on a 2”x2” old family photo that only said 1947 on the back. I didn’t know the person or the make of the car but wanted to make a story around them and especially around her confident swagger and stare. It is about a memory of a dream you had when you were younger that is a bit fuzzy around the edges. The hair has started to disappear and the horizon line is fuzzy. I painted this piece vertically for obvious size reasons and emphasized this by making the paint “rain” down on her. I controlled this process tightly making sure it didn’t smudge her face. I used indigo, burnt sienna, burnt umber, permanent rose and a bit of titanium white in the sky.
Painting:Watercolor on Paper
Original:One-of-a-kind Artwork
Size:30 W x 47 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I use the landscape as a form of escapism. Escapism is common in fiction, but less so in visual art. I want to create worlds that feel like stories I read as a child, places where everything is possible, where things that seemed static suddenly move and become alive (like rocks or trees moving around like clouds). Why landscapes? I don’t come from a traditional landscape painting background; I don’t use photographs or work from references. I am world building, creating something that doesn’t exist and playing with contradictory terms. It’s that purgatory between the real and the unreal. The land and the air. Between knowing and not knowing. It’s about discovering a line between imagination and memory and losing myself in that space. I am currently taking my paintings and turning them into installations, to create a movable changeable landscape, where the viewers can “step in” and create their own place by moving parts of the landscape around the canvas by way of magnetic shapes. My paintings of imagined spaces become magical places to wander through and explore, so that the world is a bit more beautiful and surprising. Artistic Process I work on multiple paintings of imagined landscapes in multiple series at the same time so that in my studio, I am surrounded by everyday strangeness. I anthropomorphize these human-less landscapes with their clouds and sky and lands and rocks. Parts of the landscape break away (or come together) becoming their own active subject, playing, moving and breaking away. I paint by picking one color, one shape at a time. My process feels like exploring a new place, I add pigment, scrape paint down, spray, repeat. It’s a silly and chaotic process full wrong turns and dead ends, flitting from place to pace (or piece to piece). And in the end, I want to feel like I opened a new world, full of strange mystery and magic.
Artist featured by Saatchi Art in a collection
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