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ideographic/ cartas a mi madre Painting

Maria lago

United States

Painting, Gesso on Canvas

Size: 72 W x 36 H x 1.5 D in

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About The Artwork

Ideographic applies specifically to that mode of writing which by means of symbols, figures, or hieroglyphics suggests the idea of an object without expressing its name. I begin to work the canvas as if I was facing the wall of a cave of wet clay washed by time, with a primitive need to feel what I touch, mixing the paint directly on the canvas with cement, sand, plaster, pieces of burlap painted scraps of unfinished paintings, sewn to the fabric or between them, leaving the spaces to be used as reliefs or edges, to create almost like a rocky support for work. On the surface, I start to gravel with burin and spatula, anthropological symbology, signs of cosmology, circles within circles, abstract signs with which I intend to communicate conceptual but not narrative facts, I superimpose the signs, one on top of the other, finger marks, points of Star, time in time. On this abandoned wall surface, I write words, phrases, poems, one on top of the other, layers of writing that I later remove, erase with water and turpentine, words that are no longer words, dripping between paint and canvas, only traces of what they were, fingers scratching and dragging paint and matter, undoing what was done, destroying the word to rebuild the symbol. It is for me a process of trying to penetrate the inaccessible and understand the incomprehensible, it is no longer a canvas, it is a reality, where I try to connect with that underground world of our Paleolithic ancestors that I learned to love in my youth in Asturias. Maria Lago December 15, 2019.

Details & Dimensions

Painting:Gesso on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 36 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My career as an artist spans more that three decades. I was born in Northern Spain, I studied Fine Art at the University Complutense of Madrid and the Circulo de Bellas Artes, Parsons School in New York and printmaking at the Robert Blackburn printmaking workshop and at The Arts Students League. I have lived in New York for the past 33 years. Nine years ago I moved to Beacon, NY to open an art gallery on Main Street where I create my work and sell my art. My work has been recognized and exhibited in both Europe and the United States. I have exhibited extensively in the New York area, including: The Cervantes Institute, Manhattan, The Heckscher Museum, Greenwich Arts Center, The Chase Manhattan Bank, Merrill Lynch and Merrill Lynch Hispanic Heritage at the World Financial Center, the National Association of Women Artists, the Brooklyn Arts Council, The Banco Bilbao Vizcaya to mention a few. In 2017 I had a 30 year career retrospective at the Cervantes Institute in New York City, which was very well received. Most notably, my paintings are included in the collections of the Pinacoteca Museum of Art, in Langreo, Spain, and La Nacional Cultural Center in Manhattan. I have an established group of collectors in Mexico, Spain, England, and The United States. In addition, I have exhibited in many public libraries, community arts councils, and educational facilities. My work has also been reviewed on many occasions, most notably, The Kosmos Journal, Co-Creating the New Civilization, Lago and The Exodus Paintings by Nancy Roof, NY ,the Fine Art America “Etchings and Solar Plates Today”, the ART-TALK Magazine “The Exodus Paintings” , El Comercio, Asturias en New York by L. Villacorta, The Hudson Valley Press, by Jennifer Warren, the New York Catalogue review by W. Zimmer, contributing critic for The New York Times, The Rivertowns Enterprise by Judith Doolin Spikes ,the New York “Newsday” from Jonathan Fine, the “Art Speak” by Claude Le Sue ,the “Manhattan Arts” Artists in the 90”s by Marylyn Becker, The Noticias del Mundo, by David Boltano . I am primarily a painter, improvisation with varied materials has become essential to my process, and I continually explore unusual mediums to create new effects. I am also actively involved in the production of etchings, collages, and sculptures. Primitive symbols, archetypal images and organic forms inhabit and inform much of the work.

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