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An Experiment To Measure The Weight Of History, Number One - 1/10 Photograph - Limited Edition of 1

Justice Hyde

United Kingdom

Photography, Black & White on Paper

Size: 16 W x 24 H x 0.1 D in

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$375

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About The Artwork

'An Experiment To Measure The Weight Of History' is a new project, exploring themes of heritage and history in relation to our experience of the past through mediated 'preservation', narratives which influence our perceptions of history and what is deemed 'historic', and the ideas and processes which determine how we experience heritage in the 21st century. This part of the project was shot at a ruined castle in rural Lancashire. The process involves both single and multiple exposures created on Fomapan 35mm black and white film, using a vintage Russian camera. The negatives themselves are then subjected to a process of partly-controlled, partly random distressing and deterioration. The result is a unique representation and an ethereal effect which evokes historical photographic processes and techniques. In our digital age, the use of such methods is itself considered by some to be anachronistic, yet seems entirely appropriate when applied to creating images of subjects which are themselves hundreds of years old. Hand-signed and numbered 24x16 inch print (22.5x14.5in image size) from an edition of 10 (plus 2 artist's proofs). True silver-gelatin prints created on Ilford photographic paper. Sold unmounted/unframed.

Details & Dimensions

Photography:Black & White on Paper

Artist Produced Limited Edition of:1

Size:16 W x 24 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Justice Hyde is an emerging photographic artist based in North West England. Largely self-taught, his work incorporates multiple strands: explorations of mortality through abstracted images of deteriorated surfaces both natural and man-made; themes of psychogeography, resonance and dissonance in the urban, suburban and rural landscape; and examinations of sexuality, identity and self-actualisation amid the fluid moralities and new paradigms of the data age. The strands are unified by an interest in the convergence, divergence and intersection of perception and reality. Having begun in photography by using, developing and printing black and white film, he moved to digital processes, but since 2014 has increasingly returned to analogue photography, with 35mm, medium format and Polaroid film now central to his practice, alongside DSLR and even smartphone cameras. In most cases little or no post-processing is used. This diverse approach and discipline ensure that the image never becomes secondary to the tool or technique.

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