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"Convergence" Photograph - Limited Edition of 7

→ Cesar Gaytan Padilla

Photography, Black & White on Paper

20 W x 24 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$865

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


I wasn't trying to make a photograph. I was just walking around Milwaukee on an ordinary day, headphones in, Bon Iver bleeding into Death Cab bleeding into whatever the city was saying underneath all of it. I wasn't hunting for anything. I was just moving through space the way you do when the music ...

Year Created:

2023

Subject:

Mediums:

Photography, Black & White on Paper

Rarity:

Limited Edition of 7

Size:

20 W x 24 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.

My relationship with photography began at sixteen, when I watched my aunt move through the world with a camera and understood for the first time that ordinary moments could be made permanent. She passed down a film photography book. I taught myself everything from those pages.

My first camera was a Canon Rebel T3i. It taught me to see before I ever thought about gear, and I've never stopped believing that the eye matters more than the equipment.

I am entirely self-taught and make no apologies for it. My work is driven by a single recurring fascination, the smallness of people against the indifference of space. The way a figure on a bench beside an infinite lake becomes both insignificant and profound at the same time. The way two people sitting together can make the whole horizon feel secondary. I am drawn to raw, unguarded moments, people who don't know they're being watched, existing fully and completely in a world that isn't paying attention to them either.

Fan Ho and Brassaï taught me that a photograph doesn't need to shout to be heard. Quiet images stay with you longer.
I shoot primarily on film. Every frame is a single unrepeatable moment. The grain is real. The light is real. The people never knew they were being photographed.

That, to me, is the only kind of photography worth making.

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