






Photography, Black & White on Paper
20 W x 24 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
I wasn't trying to make a photograph. I was just walking around Milwaukee on an ordinary day, headphones in, Bon Iver bleeding into Death Cab bleeding into whatever the city was saying underneath all of it. I wasn't hunting for anything. I was just moving through space the way you do when the music ...
Year Created:
2023
Subject:
Styles:
Mediums:
Mediums:
Photography, Black & White on Paper
Rarity:
Limited Edition of 7
Size:
20 W x 24 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
Need more information?
Contact us.Need more information?
Contact us.About the Artist
My relationship with photography began at sixteen, when I watched my aunt move through the world with a camera and understood for the first time that ordinary moments could be made permanent. She passed down a film photography book. I taught myself everything from those pages.
My first camera was a Canon Rebel T3i. It taught me to see before I ever thought about gear, and I've never stopped believing that the eye matters more than the equipment.
I am entirely self-taught and make no apologies for it. My work is driven by a single recurring fascination, the smallness of people against the indifference of space. The way a figure on a bench beside an infinite lake becomes both insignificant and profound at the same time. The way two people sitting together can make the whole horizon feel secondary. I am drawn to raw, unguarded moments, people who don't know they're being watched, existing fully and completely in a world that isn't paying attention to them either.
Fan Ho and Brassaï taught me that a photograph doesn't need to shout to be heard. Quiet images stay with you longer.
I shoot primarily on film. Every frame is a single unrepeatable moment. The grain is real. The light is real. The people never knew they were being photographed.
That, to me, is the only kind of photography worth making.

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→Sarah C Perkins, United States
Black & White on Paper
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