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Photography, Photo on Canvas
Size: 35.4 W x 23.6 H x 0.1 D in
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I escaped from the hustle and bustle of the city along paved roads and country paths. I walked for miles, stopping here and there at the foot of a village memorial or the gates of a small town with its iron sculpture from the Soviet era — a tribute to workers. I walked along the cobblestones of the single road through a village. I forgot about the frenzy of the modern world and walked deep into the fields. I saw isolated houses in the middle of broad green fields speckled with coloured flowers and acres of plowed land. I met women and men who live by the ancient rhythm of day and night. I was overwhelmed by the noisy silence of nature. And from the top of a mountain, I beheld the vastness of the world around me. In the distance, a single woman was walking deep into the tall singing grass. I looked at myself in the mirror of my soul she held out to me. I bent down to the ground, and slowly took a handful of earth and inhaled its odor.
2011
Photo on Canvas
One-of-a-kind Artwork
35.4 W x 23.6 H x 0.1 D in
Not Framed
No
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France
"Sometimes, between war and peace, a brief moment allows one to escape into freedom." Reza A VISUAL VITNESS Reza’s career began with studies in architecture. Following his passion for photography, he became an International award winning photographer. He takes his first photograph at 14 and publishes two years later, in high school, the newspaper Parvaz (flight). In 1979, he left architecture to become a photojournalist and covered the Iranian Revolution for the Sipa Press agency and Newsweek magazine. He was finally forced into exile in 1981 for his photographs published in the international press. Then he decided to move to Paris, France. For nearly four decades, Reza has covered a large part of the globe for international media (Time Magazine, Stern, Newsweek, El Pais, Paris Match and Geo…), notably for National Geographic Magazine. His assignments have taken him to over a hundred countries. His photographs are testimony to the chaos of war, its ravages and the helplessness of human beings caught in the storm. They also tell the world's cultures, traditions, history and, most of all, Reza's infallible hope for a better world. Year, 1991 marks the beginning of a long and close collaboration with National Geographic, magazine for which he carries out many subjects. His photographs were the subject of 25 covers of the Magazine. The following year, Reza co-founded in Paris, with his wife Rachel Deghati, a writer, a studio around the image and words, the agency Webistan. Reza is quickly convinced that there are as many ways to tell a story as media, press publications, web-documentaries, exhibitions, installations in the public space, documentaries made by him or on his work, books and conferences are all complementary means of talking about a subject he is witnessing. Since its creation, its agency has helped to implement its different projects. "The world is my field of vision. From war to peace, my images are intended as a testimony of humanity as we follow the world's different paths."
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