






Photography, Digital on Aluminum
30 W x 20 H in
Ready to Hang
→ Shipping Included
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This loon chick is one or two days old and is riding on Dad’s back in a tender moment as they cruise their pond at dawn in the wilderness of a northern Vermont pond on a very hazy, hot and humid spring morning. Loons have one or two chicks in a summer. Both parents are active in tending the eggs th...
Year Created:
2024
Subject:
Styles:
Mediums:
Photography, Digital on Aluminum
Rarity:
Limited Edition of 50
Size:
30 W x 20 H x 2 D in
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
Need more information?
Contact us.Need more information?
Contact us.I come from a technical background and curiosity leads me to wonder about the ‘how’ and ‘why’ of things. This is reflected in my photographs. My photos are often focused on how my subject is doing what it’s doing and why it’s doing it. My love of railroads – particularly steam locomotives – and wildlife give me lots of opportunities to illustrate these concepts. As you look at my photographs, you can see I strive to show why a critter is where it is and doing what it is doing. Is it feeding on something, hiding from something or trying to attract the attention of a potential mate? In my railroad photographs, I try to show why the railroad exists and how the particular railroad and equipment conquer the specific challenges of terrain and climate.
My work is ongoing, there are over 200 working steam locomotives in the US, I’ve photographed 138 of them under steam and intend to get to the rest. In the last several years, I’ve been able to pursue my other love, nature photography. I’ve managed to capture over 300 species, traveling from the Bay of Fundy to the Strait of Juan de Fuca.
Viewers are the ultimate judge of my images. An image succeeds when viewers recognize the effort – often dozens of hours to capture an image – and my attention to detail that shows the smallest features of my subjects. I insist on technical excellence in my images. To that end I use only top of the line equipment, often tweaking my hardware to improve performance. This allows me to make the best possible image in camera and lets me limit my processing to what used to be standard darkroom techniques in the days of film. My prints are produced on high-end giclée printers, using only archival papers and inks.
Recognition:
Artist featured in a collection

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