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zoophyton fallopea - Limited Edition 2 of 3 Photograph

Marianne Magne

United States

Photography, Color on Paper

Size: 40 W x 30 H x 0.1 D in

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About The Artwork

Photography, color, mixed media and digital manipulations. edition of 3 2 of 3 +2 artist proofs Print size: 30x 40 in Printed on Fujiflex Crystal Archive high gloss paper. Each edition is signed and numbered on the back of the print by the artist. [An additional edition of 7 is available in 18x24] This series of work is triggered by my fascination with life as an evolutionary process, genetic mutations, species that could have been, fantastical creatures. Genealogy of Zoophyton: A proto-organism of the same species was created for a multi media installation titled "Morphotropy [an inventory of seldom observed species] for the exhibit "Bioballistic" at Barnsdall Los Angeles Municipal Gallery 2005. Set in a pseudo scientific scenario, fictitious creatures were catalogued and labeled. They could also be observed morphing and shifting shape from one wall to the next in a wall to ceiling video environment created with animations of my 2D images. zoophyton fallopea : atypical walking invertebrate with unexplained capabilities to reconfigure its components [99% water, 1% proteins] into serious matters; captures its prey by projecting ephemeral alloplasms. [Suggested frameless display: Fujiflex prints can be mounted on Aluminum and displayed floating off the wall without additional framing required] “Fujiflex is a polyester-based silver-halide material, Fujiflex Crystal Archive printing material has outstanding image stability with the high gloss, glass looking, Ilfachrome finish. It has optimal gray balance and tonality to produce deep rich blacks and vivid colors.”

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:1

Size:40 W x 30 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

As a visual artist and experimental filmmaker, I use drawing, sculpture, collage, video and digital manipulation to build audio-visual constructs. Inspired by biological mechanisms, my work articulates itself and flows through multiple media. Analog and digital processes intertwine to create fantastical microcosms and proto-organisms. I'm interested in the concept of life as an evolutionary process, from its origin to its hypothetical future. Using the human body as a starting point for multi-disciplinary experiments, my process mimics speciation in natural selection: several new bodies of work branch off from one common ancestor to eventually give rise to their own distinct line. The series “Palimpsests” focuses on the deconstruction and reconstruction of the human body. Photographies of (friends and self) are altered using different processes [burning, scratching, drawing, collages]. The collages are then photographed and printed. They translate the constant shifts of the matter, the impermanent and transitory nature of the human body. These images provide the starting point for my digital work. Through further manipulations they merge into organic abstractions, a combination of biological elements and cosmic phenomena. This latest transformation allows a different class of organisms to appear, a species born from the metamorphosis of the human body and its technological mutation. The organic-digital occurrences become an intuitive ontology of the species, an inventory of modified life forms. "Marianne Magne should be the hero in an H.P. Lovecraft story: A bold French explorer who is able to reach between the folds of our common human experience, wrestle with the creatures she finds there, and drag their haunting images from just beyond the fringe. Human forms seem to emerge from the textures of rust, charcoal, and dusky light, only to be reabsorbed. Abstraction becomes refraction and though the effect is beautiful and unshakeable, it is often quite dark. In her series Palimpsests, pictures have been manipulated over the course of many years, making for a near-organic evolution of form that slips between microcosmic and extraterrestrial. Her video and sculpture work inhabit a similar plane between the earthly and the ethereal, It is an interconnected world of fantasy and ancestry where cells easily morph into intergalactic cephalopods, and bones become cathedrals that inspire myths.

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