view additional image 1
View in a Room ArtworkView in a Room Background
41 Views
3

VIEW IN MY ROOM

13th Street Is A Jungle - Limited Edition of 4 Print

Jerry DiFalco

United States

Printmaking, Etching on Paper

Size: 16 W x 20 H x 1 D in

Ships in a Box

info-circle
This artwork is not for sale.
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
41 Views
3

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Entitled, “THIRTEENTH STREET IS A JUNGLE”, this triptych-like design employed three, zinc etching plates all laid out on the printing press bed in a vertical-format. This print is from the THIRD EDITION of FOUR, with each intimate edition limited to only four etchings. Each editions is executed with a different ink blend and paper color combination; and, this edition—printed on STONEHENGE black paper (US)—uses a created blend of six ink colors, all manufactured in Paris (Charbonnel brand). The influences in this urban scene balances geometry, form, and the shading of light with shadow. The printmaker employed the studio techniques of intaglio and aquatint; and, all plates were etched in three separate baths of Nitric acid. Each individual plate size is six inches wide by four inches high; and, this makes the image size about 12.5 inches high by 6 inches wide. The print (etching paper) size is about 18 inches high by eleven inches wide. The frame size measures twenty inches high by sixteen inches wide. The work includes an archival mat and wood frame with a kraft paper glued to the frame’s back. The frame is also wired with screw eyes and ready to hang. All editions are hand printed and published by the artist at The Center for Works on Paper (located at 705 Christian Street, Philadelphia, Pennsylvania) within Fleisher Art’s Open Studio In Printmaking. Fleisher is associated with the Philadelphia Museum of Art. Di Falco used a large, floor-model industrial printing press, manufactured in New York City by the Charles Brand Company. This narrative of this captivating work on paper was based on five original drawings, all executed in 2020 by the artist. Di Falco used his original black and white photograph as a mock-up for these drawings. The photo—shot and developed for his first solo show of urban-centric photographs. This Philadelphia exhibition, entitled CRAMPED—PHOTOS BY JERRY DI FALCO, was hosted by Giovanni’s Room Bookstore in 1979. This specific scene depicts an intersection at 13th and Locust Streets, one of Philadelphia’s notorious cross walks in the center of the Red Light District. The work highlights some of the off-color bars of this neighborhood, including The Bag of Nails. The performance art/stripper, Miss Honeysuckle Divine, made this establishment famous with her risqué act in which she constructed a sandwich and fed it from the stage to audience members . . . with her genitalia muscles. The title of Di Falco’s work is from a 1980 song by Philadelphia’s punk band, HEADCHEESE, called, “Thirteenth Street is a Jungle” . . . it’s a jungle . . . where I live.

Details & Dimensions

Printmaking:Etching on Paper

Artist Produced Limited Edition of:4

Size:16 W x 20 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Imagery and storyline—both vital components of my creative process—enable me to create a form of visual poetry. Consequently, photography is intricate to my artistic strategy, especially with regard to my etchings. In view of this, many of my printed images—accomplished via the studio techniques of intaglio, aquatint, drypoint, and Chine collè—originate from my own photographs, as well as ones I uncover during research into the archives of academia, historical societies, and museums. Upon locating a scene that fascinates me, I first sketch a few original drawings of the likeness, and next transfer that drawing onto my prepared zinc etching plate. NOTE: In my etchings that incorporate the Chine collè process, I use mulberry bark paper from Thailand, which is infused with Japanese kozo threads. The paper is also treated with methylcellulose. I endeavor to establish links between the metaphysical and physical worlds . . . between the realms of dream and reality . . . and between the natural and the fabricated. In a sense, I believe that art unveils everything that we mask behind our assumptions and biases . . . or rather, those realms we neglect—or refuse—to perceive. My label for our failure to examine these areas is, “The Phenomenology of Non-Connectedness", which I blame on today’s communicational tools such as Social Media, the Internet, texting on smart phones, and “tweeting”. MY ETCHING TECHNIQUE I work on metal etching plates treated with both hard and soft grounds. These grounds consist of mineral spirits, beeswax, oil of spike lavender, and other natural substances. After these grounds dry, I draw images with needles and other tools onto the plate. Next, the exposed areas are “etched into” the zinc or copper plate in a bath of Nitric Acid and spring water. An artist’s proof in then printed after the plate is cleaned; Moreover, two to seven additional plate workings, acid baths, and proof printings occur before my desired effect is obtained. When satisfied with my end result, I apply oil based etching ink onto the clean plate and then remove the excess ink with several wipes. Next, I align my etching plate onto the printing press bed and cover it with papers and press blankets. Finally, the plate goes through the press to obtain my print. This process is repeated until all editions are created. I usually create three to five editions of five or six etchings for each one of my plates.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support