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'Cima Dome Fire VIII' framed, in the studio
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'Cima Dome Fire VIII' being admired @WCPF'22

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Cima Dome Fire VIII Print

Stewart Taylor

United Kingdom

Printmaking, Monotype on Paper

Size: 43.3 W x 32.3 H x 0.8 D in

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$1,700

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ABOUT THE ARTWORK

When I was researching my current Joshua Tree Commission I was lucky enough to stumble across an excellent article from 2022 on guardian.com which highlighted the perilous situation of the species in the western states of the USA. This focused particularly on the havoc wrought by the wildfire in the Cima Dome region of the Mojave National Preserve, which destroyed over a million Joshua Trees in August 2020. Accreditation for the original photographs I used for the creation of these prints goes to photographer, Kovi Konowiecki. Efforts are underway to replant/replace these keystone plants, which are relied upon by more other plants & animals than any other within their ecosystems. Sadly due to climate change they cannot migrate, germinate & grow at a sufficient rate to replace the current generations, & estimated projections on rising temperatures & lack of rainfall in their environs mean that without concerted interventions the Western Joshua will become extinct by the end of this century. This is one of the two larger ‘Cima Dome’ prints of 2022 I completed in relation to these affected trees in the Mojave National Preserve; they are both composite gelliplate monoprints, where I’ve used masking fluid in negative to create the black for the main tree. I then used a dry brush to feather out the scorched areas of the leaves & flower heads. 'Cima Dome Fire VIII' was selected for exhibition at the Woolwich Contemporary Print Fair in 2022 and was included in co-founder Jack Bullen's Top 10 picks of the Fair. This print is only available framed & packaged/shipped by speciality courier.

DETAILS AND DIMENSIONS
Printmaking:

Monotype on Paper

Original:

One-of-a-kind Artwork

Size:

43.3 W x 32.3 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Stewart has just won the Creativepool Artist of 2024, & is considered the foremost gellprint monoprinter in the UK. He was also selected for the 16th Graphica Creativa Print Triennale where the Jyväskylä Art Museum acquired his work from the exhibition. He also has art in the V&A Museum print collection. He has now been selected for The Woolwich Contemporary Print Fair for the 6th consecutive time, featuring in co-founder Jack Bullen's top 10 picks from the 2022 Fair. He also has had recent appearances at both the RA Summer Show & the National Original Print Show, where he won the Great Art Prize at the latter in 2018 for his screenprint, ‘Alcala’. He is continuing onwards with his Tree Portraits series from his Dartmouth studio, which started over 5 years ago in London, before his departure to Devon in late 2020. Initially inspired by the street trees of my neighbourhood (he printed over 100 of these at home in the space of 6 months during the first lockdown.), these moved outwards to the parks and the wilds nearby, quickly becoming a conversation about our lack of connectivity with the natural world. There are now well over 350 monoprints in this collection. This suite of prints has been further informeded by starting a small-scale rewilding project in 2019 close to his Devon home. In the past 12 months Stewart has created large-scale Joshua Tree prints from the Mojave National Preserve that were destroyed by the Cima Dome wildfire of 2020; those of deciduous trees from protected forests local to him at Avon Valley Woods, the print giveaway for which funded the ongoing traditional husbandry/management by The Woodland Trust; and trees from the banks of the Danube in Slovakia, that were photographed for me by fellow artist Eva Boda. Further collaborations with other artists & photographers are ongoing. This series will continue to help raise awareness for protecting our environment, including through donating prints for various progressive conservation & rewilding fundraisers, both in the UK & USA. Stewart was previously a keyholder at East London Printmakers for over a decade, where he was Project Leader of the Mile End/Copperfield Road Studio Build for the move from London Fields/Warburton Road. During his time there he worked exclusively in screenprint, simultaneously working as a media professional in the City. After graduating in Fine Art at Farnham in 1994 he joined Artichoke Print Workshop, where he specialised in Photoetching.

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