VIEW IN MY ROOM
France
Printmaking, Ink on Paper
Size: 12.9 W x 12.9 H x 0 D in
Ships in a Tube
As you know calligraphy is really made to experiment with. It is based on how you control your hand, but it does not work if you have no idea where you go with it. The danger is that it is great if it works - 'look at these terrific lines I did!' - and then you might forget that writing is about saying something. And if you have something to say you have to choose whether you want the calligraphy to be serious, ironic or with some humor? "Dream on!" is such an expression that one can take in different ways. So why not throw in a bit of gold? How serious can you get? So this one is ironic (I hope you agree). And do not misunderstand me: the work is indeed very serious. If you are not passionate about it? Forget it.
Printmaking:Ink on Paper
Artist Produced Limited Edition of:1
Size:12.9 W x 12.9 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
Eric Ezendam was born in Amsterdam, in the Netherlands, where he studied Art and Art history at the Rietveld Academy. Later on in Milan, he immersed himself in the world of graphic design, and through the ensuing years combined that profession with the fine Arts. He worked many years from Amsterdam, also a year in in Italy, in Rome and afterwards he travelled through many other countries. Since 2000 he has devoted his talent exclusively to fine Art, with his graphic work greatly enhanced by his knowledge of the computer. In addition to drawing with charcoal (often in large format) and terracotta chalk or Indian inks, along with oil painting on canvas, he finds the computer a fascinating medium for exploring new ways of expression. Many of his works are printed in high quality very limited editions (rarely more than 10 prints), but of course his charcoals are unica, as are his unique reworked large Giclées. “Ezendam is a master of all weapons” wrote the late Martin van Amerongen when he was editor-in-chief of the Dutch weekly De Groene. While interviewing Ezendam for his radio programme, ‘Visiting Artists in Their Studio’ art critic Toine Moerbeek exclaimed: “Those mysterious, sometimes cynical scenes you create, Eric, that’s pure theatre of the absurd. And those superb very large drawings, they are the result of a lifelong passion!”. And Gallery-owner Anne-Claire Vogtschmidt discerned in the artist’s oeuvre an almost metaphysical aspect: “Time in his work plays a different role, reality is somewhat pushed aside or backwards, and we, beautiful in our ugliness, we are put there in a loving way in this place where we haven’t been before.”
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