view additional image 1
View in a Room ArtworkView in a Room Background
668 Views
2

VIEW IN MY ROOM

The Malta Angel: It's All Pink on the Inside Print - Limited Edition of 5

Jerry DiFalco

United States

Printmaking, Aquatint on Paper

Size: 9 W x 12 H x 0.5 D in

Ships in a Box

info-circle
This artwork is not for sale.
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
668 Views
2

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

NOTE: This work was featured in the juried, annual, NAKED IN NEW HOPE exhibit at Sidetracks Gallery. Only one print remains in this First Edition. NOTE ON PRINTING: I hand-print all etchings as part of The Open Studio in Printmaking at The Center for Works on Paper (705 Christian Street), which is a part of the Fleisher Art Memorial (North side of Catharine Street on the 700 block). Fleisher is a resource of the Philadelphia Museum of Art, 26th and the Benjamin Franklin Parkway, in Philadelphia, Pennsylvania, US. Motivation for Creation: The ancient Goddess figures found on Malta have always hypnotized and interested me. These rather corpulent figures, some believed to be over five thousand years old, speak of a culture immersed in poetic eroticism and matriarchal wisdom. Studio Techniques Employed: INTAGLIO, AQUATINT, DRYPOINT & Chine Collé. Dimensions: This etching is executed on two 3” high by 4” wide zinc plates (7.6200 cm x 10.160 cm) that were placed one above the other in a vertical format on the actual printing press bed. The overall image size (including the division-space between the two plates) is approximately 6½” high by 4” wide (16.510 cm x 10.160 cm); the frame is 12” high by 9” wide (30.480 cm x 22.860 cm). This print is from the First of Three Editions (each edition is limited to five prints). This specific print is the best of five prints from this edition (1/5;I/III). Edition Note: The Second and Third Editions of this wprk will be printed in the winter of 2019 because of certain star and planetary positions. Media: Three colors of etching ink printed on RivesBFK white paper and mulberry bark paper (from Thailand) was used in my Chine Collé process. My Chine collé Process (meaning Chinese pasting) is complicated. Methyl cellulose powder is mixed with spring water and then applied to hand-dyed mulberry-bark paper from Thailand (Brand Unryu); The treated Thai paper is then allowed to dry overnight. Next, I cut the mulberry bark paper to fit the plate areas where I want color to exist in the print. These stenciled shapes are first misted with water and placed upon the already inked and wiped etching plate. The printing process continues, and a multi-colored image on paper resulting. THIS PRICE INCLUDES: 1} THE MATTED ETCHING IN AN ARCHIVAL MAT; 2} A FRAME; 3} ALL HANDLING COSTS; 4} SHIPMENT COSTS; 5} CARDBOARD SHIPMENT CARTON; 6} BUBBLE WRAP & OTHER PACKING MATERIALS; AND, 7} A CERTIFICATE OF AUTHENTICITY. The work is wired and ready to hang. Framing includes a brown craft paper backing. A wall hook and nail are included.

Details & Dimensions

Printmaking:Aquatint on Paper

Artist Produced Limited Edition of:5

Size:9 W x 12 H x 0.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Imagery and storyline—both vital components of my creative process—enable me to create a form of visual poetry. Consequently, photography is intricate to my artistic strategy, especially with regard to my etchings. In view of this, many of my printed images—accomplished via the studio techniques of intaglio, aquatint, drypoint, and Chine collè—originate from my own photographs, as well as ones I uncover during research into the archives of academia, historical societies, and museums. Upon locating a scene that fascinates me, I first sketch a few original drawings of the likeness, and next transfer that drawing onto my prepared zinc etching plate. NOTE: In my etchings that incorporate the Chine collè process, I use mulberry bark paper from Thailand, which is infused with Japanese kozo threads. The paper is also treated with methylcellulose. I endeavor to establish links between the metaphysical and physical worlds . . . between the realms of dream and reality . . . and between the natural and the fabricated. In a sense, I believe that art unveils everything that we mask behind our assumptions and biases . . . or rather, those realms we neglect—or refuse—to perceive. My label for our failure to examine these areas is, “The Phenomenology of Non-Connectedness", which I blame on today’s communicational tools such as Social Media, the Internet, texting on smart phones, and “tweeting”. MY ETCHING TECHNIQUE I work on metal etching plates treated with both hard and soft grounds. These grounds consist of mineral spirits, beeswax, oil of spike lavender, and other natural substances. After these grounds dry, I draw images with needles and other tools onto the plate. Next, the exposed areas are “etched into” the zinc or copper plate in a bath of Nitric Acid and spring water. An artist’s proof in then printed after the plate is cleaned; Moreover, two to seven additional plate workings, acid baths, and proof printings occur before my desired effect is obtained. When satisfied with my end result, I apply oil based etching ink onto the clean plate and then remove the excess ink with several wipes. Next, I align my etching plate onto the printing press bed and cover it with papers and press blankets. Finally, the plate goes through the press to obtain my print. This process is repeated until all editions are created. I usually create three to five editions of five or six etchings for each one of my plates.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support