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Printmaking, Digital on Paper

11.4 W x 16.5 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$180

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This vibrant giclee print delivers a burst of pop‑art energy, with a stylised watermelon slice taking centre stage. Its juicy red flesh, inky black seeds, and bold yellow‑green rind are rendered with crisp clarity on museum‑quality 300 gsm cotton paper. Surrounding it, a dynamic arrangement of geome...

Year Created:

2026

Subject:

Mediums:

Printmaking, Digital on Paper

Rarity:

One-of-a-kind Artwork

Size:

11.4 W x 16.5 H x 0.4 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Stuart Hicking

About the Artist

Stuart Hicking

United Kingdom

I went to art college back in the 1970s, where I received a BA 1st (Hons) in Fine Art before completing an MA at the Royal College of Art in the film school. I then worked in film and video production and finally the education sector before early retirement. ​

My main influences are the artists being talked about in the 1970s, such as Jasper Johns, Robert Rauschenberg and Jim Dine. The New York scene seemed to combine and challenge what art, performance and film could be in a way that has left a permanent mark on my psyche. This cocktail of Pop Art imagery and Abstract Expressionist mark-making seems to be where I feel most comfortable.​

The imagery I refer to in my work is autobiographical and has a backstory which is both personal and yet familiar to us all. It is where everyday objects seem to mean a lot.

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