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"Almado G" Sculpture

→ Fabiana Preti, Brazil

Sculpture, Carving of Wood

15.7 W x 78.7 H x 7 D in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

$11,090

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


The Adendo series brings together works that investigate wood and three-dimensionality within her practice. Deepening this language since 2023, the artist explores relationships among joints, forms, and silhouettes—as seen in the totems Achegado and Amado, from the same year, made in sucupira wood. ...

Year Created:

2025

Subject:

Method:

Sculpture, Carving of Wood

Rarity:

One-of-a-kind Artwork

Size:

15.7 W x 78.7 H x 7 D in

Ready to Hang:

No

Mounting:

Free-Standing

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Brazil.

Customs:

Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

Need more information?

Contact us.
Fabiana Preti

About the Artist

Fabiana Preti

Brazil

Fabiana Preti (1979) lives and works in São Paulo, Brazil. Trained in industrial design, she investigates formal precision, gestural control, and repetition in her artistic practice. She began her research in tilework, exploring patterns of shapes and colors applied to ceramics. Over time, her interest in materiality came to the forefront, leading her geometric compositions onto textiles such as velvet, leather, jute, and linen, in which the support and its porosity become central elements. In her practice, the repetitive gesture takes on a meditative character, constituting not only a formal procedure but also a way of thinking about time, the body, space, and presence.

Preti shows an increasing interest in handcrafts, moving between painting, sculpture, and embroidery, challenging the boundaries between fine arts and 'craft. In the repetition of the stitch and the line, she finds a poetics of making. This focus on repetition and manual work rescues the memory of female domestic labor, re-signifying it as a form of aesthetic and existential investigation. These practices allow her to explore the three-dimensionality and sensoriality of materials, bridging the preservation of traditional knowledge with the experimentation of contemporary art.

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