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Alpeggio Fontanelle Print

Arta Garanca

United Kingdom

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About The Artwork

One of the last drawings from 'La Trappa' collection. This small family farmhouse is a 15-minute walk up the mountain and was build around the same time as the monastery. It has been its neighbour for more than 200 years. The house has been passed from generation to generation. This year I had the honour to be part of some of their daily life work - cleaning the stalls for cows and goats, raking the grass, preparing the cheese and maintaining the meadow watering system. Over 5 weeks I slowly learned more and more about the local traditions and hardships and beauty of life in the Alps. The original drawing is currently exhibited in the corridors of La Trappa, along with all the other drawings from this collection. Once the exhibition is finished, the drawing will be passed on to the family living in this house as a present.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:12 W x 9 H x 0.1 D in

Size with Frame:17.25 W x 14.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Although for the last 10 years London was my home (originally born in Latvia), currently I am a backpacker moving through Europe crisscross. In 2019 I left my office job in London and in late autumn headed out on a volunteering trip. I wanted to learn if I can find a different use of my architectural skills through natural building and learn to live with the unknown while having all my personal belonging fitted in one backpack. Drawing became my companion. I recorded the visual experiences of my journeys through the subject closest to my heart - architecture. Each drawing is not only an image, there is a unique story and location behind every one of them. And behind each story, there is a more personal experience. And the combination of it all is what I am looking to share with the world. The technique of black and white ink drawings was always attractive to me. Daring to work with a pen directly on paper was the very opposite of my character. The wobbly and chaotic line work became a rebelliousness against the fear of making a mistake. It's an attempt to break the notion of right, wrong and proper. Many lines that are seemingly all over the place in wrong directions come together to create the final image.

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