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United Kingdom
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Fine Art Paper
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12 x 9 in ($46)
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White ($80)
This historical stone building is situated in the Alp valley. It is easy to have varied views from it and of it because of the surrounding landscape. Nature around is mainly meadows and forests. Most of the small stone farm buildings blend in the landscape completely and disappear to the eye on the background of the mountains. This old monastery stood out like a large stone monument. This view is what the visitors would see when approaching it from one of the hiking paths going past it. The original drawing is still exhibited in the corridors of La Trappa, alongside other drawings from this collection.
Original Created:2020
Subjects:Architecture
Materials:Paper
Styles:Fine ArtRealismIllustration
Mediums:Ballpoint PenPaper
Print:Giclee on Fine Art Paper
Size:12 W x 9 H x 0.1 D in
Size with Frame:17.25 W x 14.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
Although for the last 10 years London was my home (originally born in Latvia), currently I am a backpacker moving through Europe crisscross. In 2019 I left my office job in London and in late autumn headed out on a volunteering trip. I wanted to learn if I can find a different use of my architectural skills through natural building and learn to live with the unknown while having all my personal belonging fitted in one backpack. Drawing became my companion. I recorded the visual experiences of my journeys through the subject closest to my heart - architecture. Each drawing is not only an image, there is a unique story and location behind every one of them. And behind each story, there is a more personal experience. And the combination of it all is what I am looking to share with the world. The technique of black and white ink drawings was always attractive to me. Daring to work with a pen directly on paper was the very opposite of my character. The wobbly and chaotic line work became a rebelliousness against the fear of making a mistake. It's an attempt to break the notion of right, wrong and proper. Many lines that are seemingly all over the place in wrong directions come together to create the final image.
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