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C'est une reprise de la toile baroque de Charles LeBrun de 1664 "Entrée d'Alexandre à Babylone" qui se trouve au Louvre, Paris. Il symbolise le retour glorieux d'Alexandre le grand après sa victoire contre le roi perse Darius 3 en 331 AVJC. Les chemins sont jonchés de fleurs et le char d'Alexandre est tiré par 2 éléphants, dont un seul visible ici. Le gouverneur de la ville fait allumer des braseros/autels pour diffuser de l'encens. Sur le côté, la statue de la déesse Sémiramis. La foule se presse pour assister à ce retour triomphal. A l'arrière plan, les jardins suspendus. La reprise pop de ce tableau classique est débarrassé de nombreux détails. Des libertés sont prises avec les tenues, les couleurs; Les braseros ne sont plus d'argent mais de bronze.
2024
Giclee on Fine Art Paper
9 W x 12 H x 0.1 D in
14.25 W x 17.25 H x 1.2 D in
White
Yes
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France
B. in 1970, FROB has always drawn on notebooks corners. During his law school, he escaped benches of the faculty crunching his similar, also inspired by his exciting and vibrant teachers' long litanies. He now works as an independent on the day and then at night, insomniac, he draws and paints. He loves coffee. He also loves comics and it is visible in his compositions with broad black lines. Initially focused on portraits, FROB now operates on a form of naive, raw, figurative free (at least that's what his knowledged relatives told him). He likes to have a big black felt pen in the pocket and acrylic tubes and pots never too far (except during the day because he works). He learns discovering, constantly experimenting. New and curious phenomenon : when he has not been painting for 2 days, he has a left hand little tremor.
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