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"Metaphor Y Central Group " Print

Luminita Taranu

Italy

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About The Artwork

Unique piece VIDEO: https://www.youtube.com/watch?v=j7pPRIDBq_w Catalog online: https://www.sfogliami.it/fl/261180/y1spkn68j9t2cyuvv2q3n1gzxq9k?fbclid=IwAR29sf-0GF4I1VjuqqXQMxiHlewrT7Pmh88uNj2AlfUaKyh7D9uYgAW9chE#page/1 Film by TVRI: https://www.youtube.com/watch?v=iZG_JsVVG94 In 2012/2013 received a special mention of the criticism of the International Art Prize Limen 2012, Museo Enrico Gagliardi, Vibo Valentia. The artwork has been exhibited in 5 personal exhibitions and 4 group exhibition. Catalogues available. The paintings in this installation is part of an installation about human body made ​​up of 13 pieces united and independent at the same time. Represents the female torso, inspired by the Venus of Milo. I created the installation On the occasion at personal exhibition "Doppio4Verso" in the Archaeological Museum "Scuderie Aldobrandini", City of Frascati, 2002. The theme is the relationship between the anatomic human body and the "work of art" human body. The postclassical relationship between the classical ancient beauty and the contemporary beauty. E 'was very important to find in the field of composition open, like a great detail, looking for a refined balance between the quality and quantity of colors. At the end of implementation of the technique of silk-screen painting made ​​by hand, drawings, with a brush and spatula, used aand then destroyed, giving the work the unique value, let the suggest an overall picture of the whole, for the effect of flash, direct impact and fast, but also to get closer to detail. The set up is chosen in such a way that the surface of the canvas to come out out of the frame, suggesting an area of ​​wall frescoes, torn from their place of origin and recontextualized in a new situation.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:9 W x 12 H x 0.1 D in

Size with Frame:14.25 W x 17.25 H x 1.2 D in

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Born in Lugoj, Romania. Established in Italy since 1987, where he lives and works. Awards received: in 1987 she was awarded a National Prize of Romanian Visual Artists Union for drawing, engraving and lithography. 1996 won a silver plate for work SUPERSLIDE 29at the 23° Sulmona Prize International Contemporary Art Competition, Diocesan Civic Museum, Sulmona (AQ), Abruzzo; 2012 she received the Art Critics’ Special Mention for her pictorial installation Metaphor: Central Group Y + Central Detail + Lower Detail at the Lìmen International Art Competition held at the Enrico Gagliardi Museum in Vibo Valentia, Calabria; 2013 her project COWMAN of the World - was selected through competition and has participated at the inaugural Opening of the New Science Museum MUSE in Trento, designed by Archistar Renzo Piano. He participated with two digital installations and drawing performance. June 22, 2018 he was awarded the "Excellency Award" of the Romanian Government "100 for Centenary" (10 for Italy), held at Romanian Academy in Rome, for his artistic work made in Italy. Conferred by MPRP. 2020 - She was awarded the Special Prize for the Foreign Artist at 47°Sulmona Prize International Contemporary Art for the work PICTA MANENT 2020. Diocesan Civic Museum Sulmona (Aquila), Abruzzo. Works present in museums collection: MAGI ‘900 Museum of Italian Generations of '900, Pieve di Cento (Bologna) Scuderie Aldobrandini City Museum, Frascati (Rome) Museum Contemporary Art TEORA city Permanent Collection Center for Research, Documentation and Promotion Constantin Brancusi, Targu Jiu (Romania) Museum of History and Contemporary Art in Blaj, Romania National Library of San Nilo Abbey, Grottaferrata (Roma) Museum of the House of Dante Alighieri Foundation, Torre de’ Passeri (Abruzzo). Private collection: Italy, SUA. They wrote about his work modern and contemporary art critics: Mario de Candia, Giorgio Di Genova, Alessandro Masi, Alberto Dambruoso, Simonetta Lux, Grigore Arbore Popescu, Barbara Martusciello, Arnaldo Romani Brizzi, Ivana D'Agostino, Cinzia Folcarelli, Stefania Severi, Federica Di Castro, Adrian Guța The connecting thread of Ţăranu’s artistic development is metamorphosis, which also becomes a working method and a research method for conceptual and structural transformation in both graphic and pictorial form and in the construction of mega-objectual and digital installations.

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