Patagonia 2 Print

My visual imagery is populated by detailed landscapes, dream-like situations, natural objects, colorful abstractions, unknown characters, and distant relatives. In an attempt to portray the world that surrounds me, my practice can be defined as a personal rendering, through painting and drawing, of people, objects, and landscapes as sensitive entities. Rather than presenting a factual reality, I fabricate illusions to conjure the realms of my imagination. The practice and exercise of drawing and painting as crafts have derived in the creation of broad visual vocabulary that allows me to conquer the models in their uniqueness. The pieces are aesthetically independent and thematically interrelated material forms of memory and projection: painting and drawing are a way of naming and capturing the images that flood my human experience.