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The GODS a Print

Luminita Taranu

Italy

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About The Artwork

THE WORK IS MADE WITH WITH MATERIALS OF THE BEST QUALITY, DURABLE Unique piece (UNICUM)

Catalog online of exhibition in Venice: https://www.sfogliami.it/fl/238934/546ry2pz8hjp6fu1bq67s25shf3jmen9

Video Venice: https://www.youtube.com/watch?v=RDY89mh1Zs0

Catalog online of exhibition in Civic Museum Umberto Mastroianni (Rome): https://www.sfogliami.it/fl/261180/y1spkn68j9t2cyuvv2q3n1gzxq9k?fbclid=IwAR29sf-0GF4I1VjuqqXQMxiHlewrT7Pmh88uNj2AlfUaKyh7D9uYgAW9chE#page/1

VIDEO exhibition in Civic Museum Umberto Mastroianni: https://www.youtube.com/watch?v=j7pPRIDBq_w

"The GODS b" is a composition of icons. It is part of the Le PICTA, personal evocations that interpret in iconic language, humanized and connected symbolic images, where the human body is not inspired by anatomy, but to the "work of art", composed as the impulses of memory in an open space. He makes reference to SPIRA 3 of the monumental installation Columna mutãtio - LA SPIRALE exposed at Mercati di Traiano - Museo dei Fori Imperiali, Rome 2017//2018. The GODS are protagonists of Romans and Dacian worlds, of the polytheistic culture. (God of Fire, Goddess of Lightning, God of Construction, God Blacksmith, God of Abstraction and Sciences, God of Architecture and Buildings, Goddess of the Earth, God of the Infinite). I was inspired by the Roman copies of Hellenistic and Roman statues of Palazzo Altemps (Dadoforo, Athena, Herakles), Palazzo Massimo (Hellenistic Prince, Herakles, Lucrezia, Capitoline Museums (Hercules etc). Starting from screen printing I developed a my particular painting technique for tu create unique works and not to produce multiples. By manipulating the silk-screen canvas as if it were "a brush", "a pencil" or "an engraving needle", and therefore working with "groups of signs" that overlap, it allows me to create a sharp image, with a strong chromatic impact and clean, which supports the materiality of the colors, but at the same time is cured in detail.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Lugoj, Romania. Established in Italy since 1987, where he lives and works. Awards received: in 1987 she was awarded a National Prize of Romanian Visual Artists Union for drawing, engraving and lithography. 1996 won a silver plate for work SUPERSLIDE 29at the 23° Sulmona Prize International Contemporary Art Competition, Diocesan Civic Museum, Sulmona (AQ), Abruzzo; 2012 she received the Art Critics’ Special Mention for her pictorial installation Metaphor: Central Group Y + Central Detail + Lower Detail at the Lìmen International Art Competition held at the Enrico Gagliardi Museum in Vibo Valentia, Calabria; 2013 her project COWMAN of the World - was selected through competition and has participated at the inaugural Opening of the New Science Museum MUSE in Trento, designed by Archistar Renzo Piano. He participated with two digital installations and drawing performance. June 22, 2018 he was awarded the "Excellency Award" of the Romanian Government "100 for Centenary" (10 for Italy), held at Romanian Academy in Rome, for his artistic work made in Italy. Conferred by MPRP. 2020 - She was awarded the Special Prize for the Foreign Artist at 47°Sulmona Prize International Contemporary Art for the work PICTA MANENT 2020. Diocesan Civic Museum Sulmona (Aquila), Abruzzo. Works present in museums collection: MAGI ‘900 Museum of Italian Generations of '900, Pieve di Cento (Bologna) Scuderie Aldobrandini City Museum, Frascati (Rome) Museum Contemporary Art TEORA city Permanent Collection Center for Research, Documentation and Promotion Constantin Brancusi, Targu Jiu (Romania) Museum of History and Contemporary Art in Blaj, Romania National Library of San Nilo Abbey, Grottaferrata (Roma) Museum of the House of Dante Alighieri Foundation, Torre de’ Passeri (Abruzzo). Private collection: Italy, SUA. They wrote about his work modern and contemporary art critics: Mario de Candia, Giorgio Di Genova, Alessandro Masi, Alberto Dambruoso, Simonetta Lux, Grigore Arbore Popescu, Barbara Martusciello, Arnaldo Romani Brizzi, Ivana D'Agostino, Cinzia Folcarelli, Stefania Severi, Federica Di Castro, Adrian Guța The connecting thread of Ţăranu’s artistic development is metamorphosis, which also becomes a working method and a research method for conceptual and structural transformation in both graphic and pictorial form and in the construction of mega-objectual and digital installations.

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