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United Kingdom
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12 x 8 in ($40)
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White ($80)
The Coccoliths sculpture group was co-designed by myself and Acanthus architectural ceramics in 2001 for the Chalk and Chanel Way part of the Sustrans National Cycle Route uk and sited in the Cretway Down overlooking Folkestone on the south coast of England beside the White cliffs of Dover. Based upon the shaped of the microscopic organisms that make up chalk, the sculpture was sculpted by me from polystyrene, cast in fiberglass then hollow cast in white concrete. The sculpture group consisted of 3 different collections of object, 2 monumental as seen in the main picture, 4 medium and 8 tiny. All were cast from white concrete. The white concrete was chosen as it would look like the White Cliffs nearby and age rapidly becoming covered in lichen and moss and gradually blend into the countryside. The sculptures were arranged on a hillside marking the location of a hollowed out area where walkers and cyclists could shelter from the elements.
Print:Giclee on Photo Paper
Size:12 W x 8 H x 0.1 D in
Size with Frame:17.25 W x 13.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
I am a UK based Artist born in Northern Ireland but currently living near London. I work as a commercial Sculptor and experimental Fine Art photographer. Professionally, working as a commercial sculptor to make my living, I have over 25 years experience making three dimensional objects for Public Art projects, Theatre, Film, TV and Retail display. My work with photography involves exploring qualities of light on the macro scale, revealed on its passage through, or as it reflects off, natural surfaces and materials. I am fascinated by the idea that all around us there are events and vistas that we cannot percieve because of their transience and minute scale. Some of the scenes captured in my experiments have an other worldly quality to them and could be said to represent fleeting glimpses into other dimensions or modes of perception. I use digital capture equipment and my own method of shooting at the macro level to reveal lights hidden qualities. I have chosen the digital capture, review and editing work flow as the process is quicker than traditional film based media. In my current body of work I have chosen to restrict my capture experiments to early in the morning or after moon rise as the quality of light at these times is at its most interesting. I am inspired by the natural world along with geology and science. I love the work of the Surrealists, Man Rays photograms, 1950s science fiction book cover illustration and classical figurative sculpture. I worked as the Studio Assistant for the Queens Sculptor for Scotland, Sir Eduardo Paolozzi, from early 1997 to late 1998. I have my studio close to home in Surrey, UK.
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