view additional image 1
View in a Room ArtworkView in a Room Background
Limited Edition 7 of 20

Mixed Media on Canvas
Fine-Art-Print 
Hand signed & numbered by the Artist, with a certificate of authenticity
© 2009 Martina Rall. All rights reserved.

This self-portrait is part of my series "Being Marilyn Monroe. Icon Portraits.", a series of self-portraits reflecting and expressing my admiration for and my identification with inspiring modern day icons such as Marilyn Monroe, Frida Kahlo, Audrey Hepburn, Maria Callas, Romy Schneider, Michael Jackson, Grace Kelly and Niki de Saint Phalle. 
The series is influenced by the work of surrealist female artists like Frida Kahlo and Niki de St. Phalle as well as by Italian author Luigi Pirandello's post-modernist approach on identity theory. And it is based on a series of coincidences, that brought me to explore and re-think the inherent nature of portraying providing a practical meaning to the American poet William Carlos Williams' quote: «The artist is always and forever painting only one thing: a self-portrait».
	
To Marilyn Monroe I felt attracted by her beauty and sensitivity. Sex symbol and orphan child, in search of love and a home her whole life through. To men she was an object of irresistible desire, because at the same time she expressed that extra feminine “guard me and protect me”. But Marilyn was more than her appearance. She never left home without Rilke’s poems. Her tragedy is that she made herself disappear behind Marilyn, playing a role for her lifetime. The title "Baker Street" refers to Norma Jean Baker, who vanished behind Marilyn Monroe.
Limited Edition 7 of 20

Mixed Media on Canvas
Fine-Art-Print 
Hand signed & numbered by the Artist, with a certificate of authenticity
© 2009 Martina Rall. All rights reserved.

This self-portrait is part of my series "Being Marilyn Monroe. Icon Portraits.", a series of self-portraits reflecting and expressing my admiration for and my identification with inspiring modern day icons such as Marilyn Monroe, Frida Kahlo, Audrey Hepburn, Maria Callas, Romy Schneider, Michael Jackson, Grace Kelly and Niki de Saint Phalle. 
The series is influenced by the work of surrealist female artists like Frida Kahlo and Niki de St. Phalle as well as by Italian author Luigi Pirandello's post-modernist approach on identity theory. And it is based on a series of coincidences, that brought me to explore and re-think the inherent nature of portraying providing a practical meaning to the American poet William Carlos Williams' quote: «The artist is always and forever painting only one thing: a self-portrait».
	
To Marilyn Monroe I felt attracted by her beauty and sensitivity. Sex symbol and orphan child, in search of love and a home her whole life through. To men she was an object of irresistible desire, because at the same time she expressed that extra feminine “guard me and protect me”. But Marilyn was more than her appearance. She never left home without Rilke’s poems. Her tragedy is that she made herself disappear behind Marilyn, playing a role for her lifetime. The title "Baker Street" refers to Norma Jean Baker, who vanished behind Marilyn Monroe.

726 Views

2

View In My Room

«Baker Street» Limited Edition Print 7/20 Collage

Martina Rall

Germany

Collage, Paint on Canvas

Size: 39.4 W x 39.4 H x 0.8 D in

Ships in a Box

$1,320

Shipping included

14-day satisfaction guarantee

Trustpilot Score

726 Views

2

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Limited Edition 7 of 20 Mixed Media on Canvas Fine-Art-Print Hand signed & numbered by the Artist, with a certificate of authenticity © 2009 Martina Rall. All rights reserved. This self-portrait is part of my series "Being Marilyn Monroe. Icon Portraits.", a series of self-portraits reflecting and expressing my admiration for and my identification with inspiring modern day icons such as Marilyn Monroe, Frida Kahlo, Audrey Hepburn, Maria Callas, Romy Schneider, Michael Jackson, Grace Kelly and Niki de Saint Phalle. The series is influenced by the work of surrealist female artists like Frida Kahlo and Niki de St. Phalle as well as by Italian author Luigi Pirandello's post-modernist approach on identity theory. And it is based on a series of coincidences, that brought me to explore and re-think the inherent nature of portraying providing a practical meaning to the American poet William Carlos Williams' quote: «The artist is always and forever painting only one thing: a self-portrait». To Marilyn Monroe I felt attracted by her beauty and sensitivity. Sex symbol and orphan child, in search of love and a home her whole life through. To men she was an object of irresistible desire, because at the same time she expressed that extra feminine “guard me and protect me”. But Marilyn was more than her appearance. She never left home without Rilke’s poems. Her tragedy is that she made herself disappear behind Marilyn, playing a role for her lifetime. The title "Baker Street" refers to Norma Jean Baker, who vanished behind Marilyn Monroe.

DETAILS AND DIMENSIONS
Collage:

Paint on Canvas

Original:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Germany, Martina Rall studied Italian and German literature as well as linguistics at the Universities of Tübingen and Parma/Italy (M.A.), and later on Fine Arts at the Academy of Arts in Nürtingen. She worked first as a concept and graphic designer before she devoted herself to her artistic career. As a multi-faceted artist, Martina Rall uses different techniques and materials in her artworks: graphics, paintings, photographs and writings. In Art she focuses on a mixed media series of Icon Self Portraits "Being Marilyn Monroe" and a photo series about “Artists in Action”, portraying European artists from various fields: musicians, authors and actors at work, to explore the creative process and the fascination of art. From Pop Art to Cindy Sherman photography or Russian cinematography, the inspiration behind her work combines an interesting blend of artistic expressions. Her mixed media selfportrait series “Being Marilyn Monroe. Icon Portraits” is influenced by the work of surrealist female artists like Frida Kahlo and Niki de St. Phalle as well as by Italian author Luigi Pirandello's post-modernist approach on identity theory. A series of coincidences brought Martina Rall to explore and re-think the inherent nature of her work and provides a practical meaning to the American poet William Carlos Williams' quote:' «The artist is always and forever painting only one thing: a self-portrait». Photo Representation: APA Picturedesk, Vienna/Austria

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands of 5-Star Reviews

We deliver world-class customer service to all of our art buyers.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Global Selection of Emerging Art

Explore an unparalleled artwork selection by artists from around the world.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.