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"Cross Pollination" Collage

→ Deborah Stevenson, United States

Collage, Paper

8.5 W x 11.8 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$321

→ Shipping Included

→ 14-day free returns

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Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


A portrait of a woman, by Ingres, teased with a red apple.

Year Created:

2017

Subject:

Mediums:

Mediums:

Collage, Paper

Rarity:

One-of-a-kind Artwork

Size:

8.5 W x 11.8 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Contact us.

Need more information?

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Deborah Stevenson

About the Artist

Deborah Stevenson

United States

Deborah Stevenson was born in Washington, DC. She grew up in Tokyo, went to high school in Baltimore, and got her BA from Sarah Lawrence College in New York. She lived for many years on the West Coast, and returned to the East Coast, where she lived in Brooklyn, NYC until 2015, when she relocated to the coastal town of Belfast, Maine.


Artist Statement:

My influences include the pioneer collage/surreal artists: Braque, Ernst, Hannah Hoch, Joseph Cornell, Magritte, to name a few, as well as the German Expressionists in all media. Other influences in visual media include masters in film and photography, both contemporary and classical.

A life-long interest in Eastern philosophy and Jungian psychology have contributed to my fascination with allegory and symbology. Themes that recur in my work express metaphorically my exploration of concepts of power, beauty, the Feminine, and mysterious archetypal conjunctions.

The work arises in an ‘automatic’ way; I do not set out with an objective or goal in my mind when I sit down to make something. The images compose themselves spontaneously as I mix and move the masses of paper around on the table in front of me. I feel as though my eyes and hands facilitate the ‘arrival’ of the pictures that I make. More than anything else, the process requires of me that I pay attention, and to be in a receptive state, so as to be ready to capture the dialogue."

Recognition:

  • Featured in the Catalog

  • Artist featured in a collection

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