VIEW IN MY ROOM
China
Collage, Plastic on Plastic
Size: 3.9 W x 6.7 H x 0.2 D in
Ships in a Box
These collages are made putting together small non-conformity components from a high tech industrial company producing actuators, paper pages from a hand made portable agenda, average transparent tape, ball pen lines and flat point alcohol-base black marker. The way the different elements are combined and 'in dialogue' between themselves is a result of their qualities and materiality and of how these interact together to create a possible, rather intuitive path which suggests a functionality which does not exist and a symbolism which is ambiguous and undisclosed. These collages retain a certain roughness in the way they are made, as if someone had to put together some device he/she needed with found parts and leftovers with an urgency to perform a certain task. This line of storytelling though, is only suggested here and it is not the only possible one, but just one of many interpretations to connect the human action and the final result. In reality, the dialogue between the materials and the mechanical action of the assembler's hands, happens almost in a detached and distant way as a flow or a process of actions and data apparently following a procedure. Yet the procedure is not functional and lead only to an image-fragment suggesting a code and a pattern whose implications are not defined.
Original Created:2017
Subjects:Language
Materials:PlasticOtherPaperCarbon Fibre
Styles:AbstractConceptualMinimalism
Collage:Plastic on Plastic
Original:One-of-a-kind Artwork
Size:3.9 W x 6.7 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:China.
Customs:Shipments from China may experience delays due to country's regulations for exporting valuable artworks.
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Alessandro Rolandi Born in Pavia on 18th april 1971; Studied Chemistry, Experimental Theatre and film-making and History of Art . He has been living and working in Beijing since 2003, as a multimedia and performance artist, director, curator, researcher, writer and lecturer. His work focuses on social intervention and relational dynamics to expand the notion of art practice beyond existing structures, spaces and hierarchies and engage directly with reality in multiple ways. He is the founder and director of the Social Sensibility Research & Development Department at Bernard Controls Beijing in 2011, and Paris in 2014 Writer/Contributor for: Randian, Hyperallergic, Asyalist, Chinafiles, Made in China, Menelique Chief coordinator the 2014 Transnational Dialogues study-caravan in Beijing Nominated by the Global Board of Contemporary Art for the Alice Awards 2011 together with Megumi Shimizu for the performance "Something on the way". Co-Curator of 2016 BMAB Beijing Media Art Biennale ‘Ethics and Technology’ He is been giving individual lectures at the following institutions: Christie’s Education Paris 2001, Foreign Affairs University, Beijing 2004, Capital Normal University, Beijing 2003, Italian Cultural Institute, Beijing 2008, NYU Shanghai, 2019, Three Shadows, Beijing, 2019 He has been teaching and mentoring at : Ecole Des Sciences Politiques (Science Po), Paris in 2002-2003, Cours d’Ouverture-weekly lectures on politics in Art and Theatre Harrow International School Beijing: artist in residence and creative consultant 2005-2015
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