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"George" Artwork - Limited Edition of 50

→ Kübra KöprülüoğLu AşAnlı, Turkey

Digital, Digital on Paper

19.7 W x 25.6 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,210

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This artwork is a piece from my new exhibition "Invisible Icons" which is a deeply personal project that seeks to honor and revive the legacy of women artists who have been marginalized throughout art history. These women, often underestimated and excluded from mainstream narratives, have had a prof...

Year Created:

2024

Subject:

Mediums:

Digital, Digital on Paper

Rarity:

Limited Edition of 50

Size:

19.7 W x 25.6 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Turkey.

Need more information?

Contact us.

Need more information?

Contact us.

Kübra Köprülüoğlu Aşanlı (b. 1984) is a contemporary artist based in Türkiye whose research-driven practice explores ecological relationships, indigenous knowledge systems, and regenerative futures. Working across painting, installation, video, and sound, she investigates how cultural memory and human–nature connections can be reimagined through contemporary art.

Through layered imagery, fragmented textures, organic forms, and bold colors, her work navigates the tension between visibility and erasure. Her visual language is defined by fluid transitions between forms, dissolving fixed boundaries and building compositions rooted in symbolic realism. By challenging extractive modes of representation, her practice repositions indigenous perspectives and non-human narratives as active agents rather than passive subjects.

Her multidisciplinary practice brings together artistic research, ecological thinking, and visual storytelling to explore alternative models of coexistence. Rather than treating identity, nature, and culture as separate subjects, she approaches them as interconnected systems shaped by memory, reciprocity, and continuous transformation.

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