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"Pink Cross" Artwork

→ Paul Levy, United Kingdom

Digital, Digital on Paper

23.6 W x 21.3 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$640

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


I am a visual artist based in the city of Norwich in the UK, primarily working in ink, acrylic paint, and digital media. The essence of my work is about ideas, the influence of one idea on another, and the transformation that they undergo through being brought together. The intention of his pictur...

Year Created:

2022

Styles:

Mediums:

Digital, Digital on Paper

Rarity:

One-of-a-kind Artwork

Size:

23.6 W x 21.3 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Paul Levy

About the Artist

Paul Levy

United Kingdom

My pictures are often intensely coloured and use more-or-less recogniseable images – geometric forms, portraits, landscapes, interiors, still life, imagery from popular and high culture - but rendered and juxtaposed in such a way as to defamiliarize the subjects. They are part of a long series of reflections on the nature of picture-making. These are interconnected works and in them I try to take account of the history of meaning and form in visual art and my purpose is to see how these can be reimagined using contemporary processes in an art world now without movements or consensus. I am particularly concerned with how visual representation can highlight mythology and social change. In the last two years I have been moving towards printmaking and working with combinations of analogue and digital methods. I have begun to incorporate painting and photography, particularly photomontage into my pictures and to work with digital printers to create works on paper. What I used to think of as a painting I now see as a temporary halt in a process.

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