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Appropriations of geomorphological languages nº27
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Appropriations of geomorphological languages nº27 Drawing

David Molina-Molina

Venezuela

Drawing, Paper on Paper

Size: 9.1 W x 9.8 H x 0 D in

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About The Artwork

I investigate the elements of the landscape as a theme of interest, I feel the need to sensitize myself towards nature to extract the necessary resources to explore organic forms and abstract I use drawing and ceramics for the perception of space and plastic reflection to subsequently translate my work towards a more sensitive language. My research explores the possibility that comes from the approaches and reinterpretations of my environment, its parts and the sum of them, these idealized landscapes do not come necessarily from physical reality, they are essays with which I translate the elements of the traditional landscape to be able to surrender to a aesthetic intention more intimate and local, is a way to renew the speeches of the landscape through of my own vision by directly connecting my current concerns, intentions and needs. NOTE Assembly of collage paper on soft cotton of 260 gr / m2. Signed on June 2019 and a certificate of authenticity is added. All my drawings are sent rolled and very well protected in a tube.

Details & Dimensions

Drawing:Paper on Paper

Original:One-of-a-kind Artwork

Size:9.1 W x 9.8 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

#FIGURATIVE In my figurative body of work is very common the man’s need have their own space, a land to inhabit, a land where he can leave their mark, a trail and their opposition like the absence of this space itself, also, I dedicate to representing the man inside of the object house and how this one inhabits to himself,from my perspective I rummage and explore in the human relationships and the symbolic properties that we attach to objects as a representation of human activity by portraits what decipher the primary feelings of living in a home. #ABSTRACT My line of sculptural/abstract work research the elements of the landscape as a subject of interest; I feel to become more sensitive towards nature to extract the necessary recourses to explore organic forms and detach them, using sketching and ceramics as means for the perception of the space and the plastic reflection to then translate my work into a more sensitive language. These idealized landscapes don't necessarily come from the physical reality: they are essays with which I translate space to be able to devote myself to an aesthetic intention the is more intimate and local.

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