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Drawing, Conte on Paper

7 W x 10.3 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$480

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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The work is part of a series of graphite on black surface. I like how the graphite becomes metallic mid range grey, advancing and receding dependent where one stands.

Year Created:

2017

Subject:

Mediums:

Drawing, Conte on Paper

Rarity:

One-of-a-kind Artwork

Size:

7 W x 10.3 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

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Gregory Kitterle

About the Artist

Gregory Kitterle

United States

The influence for my work stems from my interest in how the eye leads and is lead. The majority of how and what one sees is fragmentary and laced with ambiguity as demonstrated through experiments in cognitive visual research. Using the innate properties of my chosen materials within formalist drawing and painting concerns,I seek to exploit this ambiguity to allow the mark to be a marker. As the mark and ground is "seen into" and "seen as" the ambiguity gives way to fluid interpretation giving rise to autonomy of meaning. This then re-emphasizes this process, creating an active circular visual dialogue.

My choices of materials in the presented work are pencil, dry and wet pigment and Venetian plaster. The plaster, made according to traditional fresco formulation, is polished through sanding and directs the drawing process through irregularities in its surface. Colors added to the plaster enhance this surface. The edges of these irregularities form lines, suggesting shapes that through further drawing or painting are developed into imagery with no preconceived narrative content. The goal of this process is to engage the viewer in the creative act by allowing autonomy of meaning. In this way, the viewer's interpretation becomes as valid as the artists'. This active looking gives the viewer an insight, through this open-ended process, into the choices an artist makes in the production of the work.

Recognition:

  • Showed at the The Other Art Fair

  • Artist featured in a collection

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