124
"Contrasted Organic Frame 3" Drawing
Drawing, Ballpoint Pen on Paper
11.7 W x 16.5 H in
Ships in a Box
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$805
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Drawing on NATUREL paper Claire Fontaine Multi Technique 250g/m² - A3 - 42 H x 29,7 W x 0,1 D cm / 16,54 H x 11,69 W x 0 D in * Ships not framed 'Contrasted Organic Frame 3' is part of a new series of designs with scattered organic patterns inspired by nature. My imagination guides my designs on f...
Year Created:
2020
Subject:
Mediums:
Mediums:
Drawing, Ballpoint Pen on Paper
Rarity:
One-of-a-kind Artwork
Size:
11.7 W x 16.5 H x 0.1 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
France.
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The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video.
What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing?
In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical.
Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms.
Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes.
Does Nature have a universal language that hides in our memory?
Recognition:
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