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Drawing, Ballpoint Pen on Paper
Size: 11.7 W x 16.5 H x 0 D in
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Drawing on NATUREL paper Claire Fontaine Multi Technique 250g/m² - A3 - 42 H x 29,7 W x 0,1 D cm / 16,54 H x 11,69 W x 0 D in * Ships not framed 'Contrasted Organic Frame 3' is part of a new series of designs with scattered organic patterns inspired by nature. My imagination guides my designs on flourishing patterns. I am gradually establishing a personal botanical vocabulary as if to open consciousness to still virgin and unsuspected worlds, thus talking about the infinite wealth of Nature and organic life on Earth. These scattered and framed shapes on the support accentuate the idea that nature, even when controlled, will always take its place. * 'Contrasted Organic Frame 3' fait partie d'une nouvelle série de dessins aux motifs organiques éparses inspirés de la nature. Mon imagination guide mes créations sur des motifs florissants. J'établis progressivement un vocabulaire botanique personnel comme pour ouvrir la conscience à des mondes encore vierges et insoupçonnés, parlant ainsi de la richesse infinie de la Nature et de la vie organique sur Terre. Ces formes dispersées et encadrées sur le support accentuent l'idée que la nature, même contrôlée, reprendra toujours sa place.
Drawing:Ballpoint Pen on Paper
Size:11.7 W x 16.5 H x 0 D in
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
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