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"Delphinium" Drawing

→ Janica Draisma, Netherlands

Drawing, Ink on Cotton Paper

12 W x 16.5 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$1,179

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→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This artwork is part of my 'herbarium' flower series. It is made with Japanese ink and dried, blue, delphinium flowers, on handmade cotton paper. It represents a figure, male or female, in motion and in awe. The blue Delphinium flower symbolizes dignity and grace. The 'herbarium' flower series rel...

Year Created:

2024

Subject:

Mediums:

Drawing, Ink on Cotton Paper

Rarity:

One-of-a-kind Artwork

Size:

12 W x 16.5 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

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Contact us.

Need more information?

Contact us.
Janica Draisma

About the Artist

Janica Draisma

Netherlands

I am a multidisciplinary artist, as well as a writer-director, filmmaker and photographer. I was born in Zimbabwe and grew up in Zambia, before coming to the Netherlands. After my graduation at the Rietveld Academy of Arts, I lived and worked in Paris, London and Rome, among other places.

Painting and drawing, photography and film, writing and directing, are part of my activities.

‘I see in my work a search for purification and healing, leading me to an attitude of atonement towards myself and towards the world in which I create. I see my life as a work of art in a continuous process of resurrection and transformation. Everything I do springs from a deep feeling of vocation, driving me from within but guided by some other, call it divine, force, which I cannot help but listen to and follow with awe. In this sense I often feel like a messenger or tool for something beyond our perceivable reality. At the same time, this something is at my service and helps me walk the path that I am destined to follow.’

‘The themes I stress are communication, interaction between people, processes of transformation, male and female identity and how these manifest themselves, and survival strategies. How do we persevere and evolve? What behavioural patterns do we develop for this?’

‘The human figure is central in my work. It is represented as a playing, moving, thinking, suffering being, a micro-cosmos, carrying a secret world within, behind the skin. How does the human being, as a living structure, relate to the system, the world, the macro-cosmos by which it is surrounded? Contrast and contradiction are prominent in my work, like black and white, abstraction and narration, culture and nature, outside and inside, Europe and Africa, as are elements like geometry and expression, morality and instinct, and how they relate to each other.’

The texts above are quotes from my exclusive oeuvre book 'Into the Light - Cinematographic Choreographies and Visual Works'

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