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VIEW IN MY ROOM

I'VE BECOME COMFORTABLY NUMB Drawing

elvira dayel

United States

Drawing, Pastel on Paper

Size: 45 W x 45 H x 1 D in

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About The Artwork

In the times like these, when we all struggle for air, making art, is my oxygen. It's the breathing medium in which to exist. Life throws curve-balls & poses questions which my art-making tries to address, without ever fully answering them. It points me in a direction, gives a thread to follow. In my work constructed reality is a fantasy into which my viewer is invited to enter. 2020 has been an interesting year for the world. Here in Cali, while sheltering in place due to covid-19 epidemic, incessant California wildfires started raging earlier than their usual season. Fires burnt more land & forests than ever before in the recorded history of the state. They pushed dwellers out of their homes, razed through wildlife, polluted air. Air pollution was so great that we shall always remember that Wednesday morning in September - its surreal gravely heavy orange color provided depth only seen in the cinematic Hollywood productions. I was one of many artists who captured the apocalyptic atmosphere in their art. Orange Wednesday “inspired” the artwork “I’ve become comfortably numb.” Women are rendered to be ephemerally dressed in air. background is a heavy setting for the barely present four human female bodies.

Details & Dimensions

Drawing:Pastel on Paper

Original:One-of-a-kind Artwork

Size:45 W x 45 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Ukraine, I am currently based in San Francisco Bay Area. I work in series of large abstract works of drawings done in soft/dry pastel on paper as well as 3D-printed mixed media sculpture. My work may be described as modernist. It is influenced by modern architecture / spacial organization, & thoughts of space and time, temporal adjacencies. In my work I reference the 20th century Russian avant-garde, the Constructivism, as well as such early modernists as Matisse, specifically his “cut-outs”. I’d like to think of my work as having its own original XXI century voice. Trained as an artist & an architect, I also work in new media including digital rendering (surface & space visualization) and 3d-printing. My work is interwoven and interconnected between and within the media I use. Using strong, carefully considered color and bold geometric form, I frequently incorporate depictions of the female archetype. The female figure is often placed alone in an invented landscape, color and line announce her presence. Her voice, her existence, her spirit are loud, vivid, red. I see myself as a minimalist using only as much as needed to convey an idea. The color I use carries its own vision. Invented landscapes are new realities, they are constructs. They provide a vision for an abstracted notion of a place and space. In my work the landscape is deconstructed and re-imagined as a new notion. My work is my metaphor for searching, and my landscapes & invented places implicate the presence of the unknown. Each work, each landscape exploration, creates a parallel reality and carries its own vision. Made-up / created landscapes are new realities & are loosely grounded to provide a vision for an abstracted notion of a place, space, or absence thereof. These notions generate an invented (fictional) city/place, thus the work creates its own context which other work may inhabit.

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