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Mr Lampturn Drawing

Lavinia De Ayr

United Kingdom

Drawing, Pencil on Paper

Size: 1.8 W x 4.5 H x 0 D in

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About The Artwork

I had been searching for this work for some time now When I least expected it I happened across them What is so surprising about the main figures is that there were sketched I even knew I was going to begin to paint, and sketch to self-heal and little did I know the pattern and style of a mermaid like figure was set to be reproduced without deliberately intention some years later! The scene of the inspiration was set in 2003 Kennington South London I lay on my then stripped back bare wooden floors I was fascinated as I was determined to learn and be a part of the spiritualist community! I had visited Belgrave Square either before or after the vision so long ago I cannot remember I learnt that from the notes I made on the sketch dated as created on the 19th of March 2004 Regularly attending demonstration, and open circle events ran by the spiritualist community As I lay as if before my eyes for two figures appeared They were Azur powder blue people with the smoothest skin They just stayed there present for a while I was so moved I managed to sketch down roughly what I saw Natural Flowism A Freedom of Being! Selah!

Details & Dimensions

Drawing:Pencil on Paper

Original:One-of-a-kind Artwork

Size:1.8 W x 4.5 H x 0 D in

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Born in London. From kitchen table top, to connecting to the market place creating a hub of creativity. I have had the opportunity and privilege to live and experience many different area's in England and addresses in and around London, living in different social conditions, with a different set of challenges and joy's at each location. These experiences continue to be the biggest influence and inspiration for my work to date, inspiring imaginative impressions, which translate into expressions of fictional characters, and decorative designs. Whilst I did attend formal schooling, I did manage to achieve leaving secondary schooling without qualifications. Later gaining qualifications by investing in vocational training. I initially took up sketching to help me with clothes design, attending a local community college, it was a cheaper option as a young parent at the time. I come from a background of naturally creative people, where things like clothes were made without patterns, or any prior preparation for design. It was a time of instinctive survival, with a jump in and get it done way of living and thinking, learn on the go type of attitude toward life. Writing poetry plays the role of being my first point of creativity, it is a combination of free flow journal writing, "free flow" is a method of unblocking personal expression. Examples of this is the pen sketch and textile remnant journals, where poetry, meaningful sayings, and short messages meet. Expressing myself through writing journals, poetry, and even finding a way of writing threw creating an image, led me to explore painting as a further means of deeper self expression, exploration and release. What emerged is a spontaneous method of painting, composition admittedly is not a study in every piece initially, but emerges in the form of allowing a subject to develop in a space, in whatever form or position it takes. Coming from the era where Art was not seen as a proper job, taking that notion on - for a long time. I struggled to come terms with art as anything other than frivolity, despite being a creative. To understand my work further; The experience behind the creative process. Throughout my life as a child to present day I have been effected by the collection of behaviours known as Stalking. As a child and teen I witnessed others experiences.

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