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"No 1037" Drawing

→ Oleg Pospelov, Spain

Drawing, Ink on Paper

11.4 W x 16.5 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$455

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


The work relies on the contrast between fluid ink washes, dense geometric blocks, and the reflective texture of a golden circle. Soft tonal gradients of ink intersect with sharp black elements and fine line hatching. The metal leaf interacts with ambient light, altering visual intensity depending on...

Year Created:

2026

Subject:

Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

11.4 W x 16.5 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Oleg Pospelov

About the Artist

Oleg Pospelov

Spain

Oleg Pospelov (b. 1975) is a Spain-based conceptual artist whose work explores the intersection of historical memory, semantic decay, and the unyielding human instinct for creation.

After a 25-year career in graphic and font design — most notably as the creator of the acclaimed Oranienbaum typeface — Pospelov made a definitive transition to fine art in early 2023. Since this shift, he has maintained a prolific pace, producing over 1,500 works. Based in Tenerife since 2014, his practice is a visceral reaction to the ephemeral nature of the digital age. He acts as an "archaeologist of the present," working with vintage artifacts: mid-century newspapers, typing manuals, and needlework journals.

Pospelov’s major cycles, such as Consequences, Zebra, and Labores del Hogar, investigate a central question: What remains when the context is gone? Through a signature layering technique, he overlays expressive abstraction onto historical media, proving that beauty is a constant — a resource as vital as air or water.

His work is characterized by a unique "designer’s precision" met with an "artist’s intuition," creating a profound dialogue between the structured past and the chaotic, yet hopeful, present.

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