"The Table" Drawing
Drawing, Ballpoint Pen on Paper
4.2 W x 5.9 H in
Ships in a Box
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$1,910
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ABOUT THE ARTWORK
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"The Table" A multi-phase structural study isolating the friction between psychological chaos and unyielding architecture. Executed across a deliberate two-year timeline, the foundational architecture of this singular piece was engineered in pen in 2024. The raw, deconstructed line-work captures a...
Year Created:
2024
Subject:
Mediums:
Mediums:
Drawing, Ballpoint Pen on Paper
Rarity:
One-of-a-kind Artwork
Size:
4.2 W x 5.9 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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I no longer operate in a traditional studio; I operate within the physical grid. My practice is an exercise in "Survival Architecture"—a guerrilla-style extraction of raw kinetic energy from highly optimized, often hostile commercial environments.
I classify my physical works not simply as paintings or drawings, but as *Archival Field Notes*. My substrates are rarely pristine canvases. Instead, I weaponize utilitarian, scavenged materials—torn cardboard, reclaimed notebook covers, and discarded packaging. These elements carry the inherent scars, weathering, and physical friction of the environments in which they were created. The damage is not a defect; it is architectural proof of survival.
My visual language is rooted in Outsider Art, Neo-Expressionism, and Brutalism. The conceptual engine driving my work is the "Plucked Flower" thesis: the eternal conflict between rigid, systemic authority (the built environment, the demand for compliance) and raw, uncontained human entropy (the chaotic, wide-eyed panic of the Maker).
You will frequently see strict, geometric frameworks in my pieces being violently overwritten by frantic ballpoint pen and high-saturation ink. This is the visual mapping of that friction. I document the exact moment the localized environment attempts to suppress the creator, and the chaotic energy required to break out of that perimeter.
When you acquire one of my field notes, you are not buying a sanitized gallery object. You are acquiring an uncompromised, tactical artifact pulled directly from the friction of the modern grid.
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