
Mixed Media, Resin on Digital
31.5 W x 31.5 H in
Framed, Ready to Hang
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ABOUT THE ARTWORK
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The work is centred around a series of concentric, hand-drawn-style black rings on a stark white background. The rings mimic the cross-section of a tree trunk, suggesting time and growth. Instead of a perfect centre, the "heart" of the tree is offset to the right, where a square grid of twenty tra...
Year Created:
2026
Subject:
Mediums:
Mediums:
Mixed Media, Resin on Digital
Rarity:
One-of-a-kind Artwork
Size:
31.5 W x 31.5 H x 31.5 D in
Ready to Hang:
Yes
Frame:
Other
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.Need more information?
Contact us.The inspiration for my art practice arises from a deep fascination with light. Influenced by the Californian Light and Space movement, Eastern philosophy, and quantum physics, my abstract, geometric mixed-media artworks explore the bizarre and paradoxical properties of the quantum world. This work evolved from my practice-based PhD research, titled "Making Quantum Questions Material…".
I reference quantum phenomena with recurring motifs, including entwined particle-wave dualities, enfolding and unfolding orders, and the holistic interconnectedness of all things.
I appropriate apparatus from two-slit experiments that investigate the quantum nature of light, directly into my art. Elements like mirrors, prisms, dichroic materials, and diffraction gratings create playful, illusory experiences of superposition, entanglement, and interference patterns.
Using lenticular and dichroic surfaces, articulates physicist David Bohm’s concepts of the holomovement and implicate/explicate orders—the perpetual flux and becoming of the undivided wholeness underlying reality.
These works are kinetic and interactive, inviting active participation from the audience. Colours and forms are never fixed; instead, they shift and morph dynamically as viewers move around the pieces.
Recognition:
Showed at the The Other Art Fair
Artist featured in a collection

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→James Christopher Hill, United States
Acrylic on Canvas
36 x 24 in
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