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detail 1: The metallic shine is dependent on your point of view.
detail 2: CLOUD edge
detail 3: in the CLOUD
detail 4
detail 5
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20200614.1616 CLOUD gold Painting

Peter Sandhaus

Germany

Painting, Acrylic on Canvas

Size: 63 W x 39.4 H x 0.4 D in

Ships in a Tube

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SOLD
Originally listed for $3,000
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About The Artwork

Like my "Instant Sculptures" and "All Overs" the "CLOUD" series spatially contain and embody the time it took to bring them into being. The earlier/older parts of the stroke are spatially further back. This is different from working in my 3D-software where I can manipulate rotate or twist the sculpture to my liking for as long as I care to do so. . Here there is no changing or fidgeting around. They are how they are - but the dynamic gesture or painterly action or drive that brought these pieces to life can still be felt. They surely are inspired by Mihály Csíkszentmihályi's concept of the FLOW: wikipedia: >In his seminal work, Flow: The Psychology of Optimal Experience, Csíkszentmihályi outlines his theory that people are happiest when they are in a state of flow—a state of concentration or complete absorption with the activity at hand and the situation. It is a state in which people are so involved in an activity that nothing else seems to matter.[14][page needed] The idea of flow is identical to the feeling of being in the zone or in the groove. The flow state is an optimal state of intrinsic motivation, where the person is fully immersed in what they are doing. < That is a pretty good summary of my state when working on these "All Overs". And it is my feeling that the paintings construct perculiar time-based spaces during this hour-long and nearly automatic process. This results in a painting that seems to change constantly. The curvy and organic geometry could well be shifting and moving while you are not looking..This is why this conceptual series of paintings is called “CLOUDS”. Gold (True Metal-Acrylics) on rolled up extra fine Canvas: The metallic shine is dependent on your point of view in relation to the light sources in the room. Dependent on your movements some areas will appear highly reflective, bright and polished while others are darker in contrast. Shipped directly from STUDIO PETER SANDHAUS in Berlin, Germany. Titled, stamped, dated and signed on the back. You will receive the canvas carefully rolled up in a sturdy tube, unframed. It is the safest mode of transport. For mounting and hanging it is necessary to stretch the canvas on a standard streching frame. Please refer to your local framing service. Or - if you happen to be around- feel invited to come and visit the studio in person and pick up your artwork in Berlin, Germany. By appointment only: contact (at) sandhaus . net

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:63 W x 39.4 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The Berlin artist Peter Sandhaus never restricted himself to the classic arts alone but extended his artistic work to divers fields like computer generated art, sculptural architecture, production design and public space development. Both his large scale public art projects (www.sandhaus.net) and his paintings are dealing with the concept of a curved space-time continuum. Many of the two-dimensional works can be understood as sketches to generate notions of dynamic sculptures under tension. These four-dimensional configurations often appear to be still in motion and might even start to move again - when you are not looking..

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