VIEW IN MY ROOM
French Idioms is a new series that came about from spending time with friends during the pandemic.We talk about languages, the differences between the French and English language and finally Idioms. We talked for hours over cheese and wine and found Idioms wether in English or French to quite absurd. French idioms are hilarious and I started to conjure up images of them, compositing them as I saw how they would play out on canvas. My method of painting is flat using multiple thin layers to create a milky yet profound depth to the picture. All works are produced on highest quality cotton/linnen
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:39 W x 39 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Spain
Born to English parents. Lived in Nigeria, Kenya and Papua New Guinea for first 12 years. Statement: The continual questioning that forms the basis of Arp Raph’s work, alongside his exploration of the underlying codes within the political and cultural arena, is the result of his participation in the experiences around him; he conjures up images that serve to engage his viewers in a form of critical thinking about - and close examination of - the events he references and the anecdotes that arise from these. The socio-cultural aspect plays a particularly significant role. 'I find that searching for answers dictates which materials are used and how'. His methods characteristically involve both 2 and 3 dimensional puzzles, visual metaphors and a focus on the conspicuous imperfections in the subjects he chooses. The assemblage of his installations makes for an interactive experience: ’It’s necessary to capture the viewers’ attention and one way to do that is to get them involved.’ By facilitating this involvement, his works offer the viewer the possibility of engaging in a discourse on what goes on around them.
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