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Crazy time, and none of it for the beach holiday this year. Worked on my Migration collection for 3 months head down. Whole summer gone in a blink of an eye. Sounds familiar? Yes, you and I possibly have that in common. 

Now, my south-england born & raised partner has an old minimal paining in his bedroom. Beach, sea line, two palm trees and a hammock between them. Few strokes, simple palette. But what a treat waking up to that image in grey rainy London; eye resting, thoughts spinning, memory lane wide open into that little corner on the planet. It does the trick easily taking your mind onto the shores of the indian ocean (or Hawaii, or Caribbean, whatever your strongest memory of the tropical paradise you've been to). Clever art. I liked the idea for ages, but not so much the colours. My sailor boy kept nagging for ages oh why can't I create something for his dad for xmas, he'd love a beautiful large boaty piece on his wall in Devon (despite having three originals by local art celebs already). Luckily this Xmas magic happened and  the puzzles lined up in my head. That perfect single stroke is finally found and it is mine.  With no compromise on my signature watercolour technique in whatsoever. Finally the smoothest fine grain italian canvas sitting there lonely ifor awhile was painted. I am truly pleased with that deep deepest deepedy-do turquoise blue achieved with watercolour and oil layers. Out for grabs now and hope you too will fall involve with it in a heart beat. 

===

here is some on processes: 

Applying the  same watercolour technic developed during my atmospheric series I looked to remove unnessesary details and follow more  eloquent minimalistic  approach to small details.

The moored boats are only painted with few strokes complementing that aerial view of the bay.

Depth is achieved through multiple layers of watercolour with a hint of transparent acrylic that is sealed with alkyde medium blend and a dash of oil paint. The modern binder used here is preventing yellowing and fading over time.


===

Finest Italian linen 
Satin UV varnish 
Shipped stretched ready to hang 
well packaged
unframed
Certificate of authenticity
Crazy time, and none of it for the beach holiday this year. Worked on my Migration collection for 3 months head down. Whole summer gone in a blink of an eye. Sounds familiar? Yes, you and I possibly have that in common. 

Now, my south-england born & raised partner has an old minimal paining in his bedroom. Beach, sea line, two palm trees and a hammock between them. Few strokes, simple palette. But what a treat waking up to that image in grey rainy London; eye resting, thoughts spinning, memory lane wide open into that little corner on the planet. It does the trick easily taking your mind onto the shores of the indian ocean (or Hawaii, or Caribbean, whatever your strongest memory of the tropical paradise you've been to). Clever art. I liked the idea for ages, but not so much the colours. My sailor boy kept nagging for ages oh why can't I create something for his dad for xmas, he'd love a beautiful large boaty piece on his wall in Devon (despite having three originals by local art celebs already). Luckily this Xmas magic happened and  the puzzles lined up in my head. That perfect single stroke is finally found and it is mine.  With no compromise on my signature watercolour technique in whatsoever. Finally the smoothest fine grain italian canvas sitting there lonely ifor awhile was painted. I am truly pleased with that deep deepest deepedy-do turquoise blue achieved with watercolour and oil layers. Out for grabs now and hope you too will fall involve with it in a heart beat. 

===

here is some on processes: 

Applying the  same watercolour technic developed during my atmospheric series I looked to remove unnessesary details and follow more  eloquent minimalistic  approach to small details.

The moored boats are only painted with few strokes complementing that aerial view of the bay.

Depth is achieved through multiple layers of watercolour with a hint of transparent acrylic that is sealed with alkyde medium blend and a dash of oil paint. The modern binder used here is preventing yellowing and fading over time.


===

Finest Italian linen 
Satin UV varnish 
Shipped stretched ready to hang 
well packaged
unframed
Certificate of authenticity
Crazy time, and none of it for the beach holiday this year. Worked on my Migration collection for 3 months head down. Whole summer gone in a blink of an eye. Sounds familiar? Yes, you and I possibly have that in common. 

Now, my south-england born & raised partner has an old minimal paining in his bedroom. Beach, sea line, two palm trees and a hammock between them. Few strokes, simple palette. But what a treat waking up to that image in grey rainy London; eye resting, thoughts spinning, memory lane wide open into that little corner on the planet. It does the trick easily taking your mind onto the shores of the indian ocean (or Hawaii, or Caribbean, whatever your strongest memory of the tropical paradise you've been to). Clever art. I liked the idea for ages, but not so much the colours. My sailor boy kept nagging for ages oh why can't I create something for his dad for xmas, he'd love a beautiful large boaty piece on his wall in Devon (despite having three originals by local art celebs already). Luckily this Xmas magic happened and  the puzzles lined up in my head. That perfect single stroke is finally found and it is mine.  With no compromise on my signature watercolour technique in whatsoever. Finally the smoothest fine grain italian canvas sitting there lonely ifor awhile was painted. I am truly pleased with that deep deepest deepedy-do turquoise blue achieved with watercolour and oil layers. Out for grabs now and hope you too will fall involve with it in a heart beat. 

===

here is some on processes: 

Applying the  same watercolour technic developed during my atmospheric series I looked to remove unnessesary details and follow more  eloquent minimalistic  approach to small details.

The moored boats are only painted with few strokes complementing that aerial view of the bay.

Depth is achieved through multiple layers of watercolour with a hint of transparent acrylic that is sealed with alkyde medium blend and a dash of oil paint. The modern binder used here is preventing yellowing and fading over time.


===

Finest Italian linen 
Satin UV varnish 
Shipped stretched ready to hang 
well packaged
unframed
Certificate of authenticity
Crazy time, and none of it for the beach holiday this year. Worked on my Migration collection for 3 months head down. Whole summer gone in a blink of an eye. Sounds familiar? Yes, you and I possibly have that in common. 

Now, my south-england born & raised partner has an old minimal paining in his bedroom. Beach, sea line, two palm trees and a hammock between them. Few strokes, simple palette. But what a treat waking up to that image in grey rainy London; eye resting, thoughts spinning, memory lane wide open into that little corner on the planet. It does the trick easily taking your mind onto the shores of the indian ocean (or Hawaii, or Caribbean, whatever your strongest memory of the tropical paradise you've been to). Clever art. I liked the idea for ages, but not so much the colours. My sailor boy kept nagging for ages oh why can't I create something for his dad for xmas, he'd love a beautiful large boaty piece on his wall in Devon (despite having three originals by local art celebs already). Luckily this Xmas magic happened and  the puzzles lined up in my head. That perfect single stroke is finally found and it is mine.  With no compromise on my signature watercolour technique in whatsoever. Finally the smoothest fine grain italian canvas sitting there lonely ifor awhile was painted. I am truly pleased with that deep deepest deepedy-do turquoise blue achieved with watercolour and oil layers. Out for grabs now and hope you too will fall involve with it in a heart beat. 

===

here is some on processes: 

Applying the  same watercolour technic developed during my atmospheric series I looked to remove unnessesary details and follow more  eloquent minimalistic  approach to small details.

The moored boats are only painted with few strokes complementing that aerial view of the bay.

Depth is achieved through multiple layers of watercolour with a hint of transparent acrylic that is sealed with alkyde medium blend and a dash of oil paint. The modern binder used here is preventing yellowing and fading over time.


===

Finest Italian linen 
Satin UV varnish 
Shipped stretched ready to hang 
well packaged
unframed
Certificate of authenticity
Crazy time, and none of it for the beach holiday this year. Worked on my Migration collection for 3 months head down. Whole summer gone in a blink of an eye. Sounds familiar? Yes, you and I possibly have that in common. 

Now, my south-england born & raised partner has an old minimal paining in his bedroom. Beach, sea line, two palm trees and a hammock between them. Few strokes, simple palette. But what a treat waking up to that image in grey rainy London; eye resting, thoughts spinning, memory lane wide open into that little corner on the planet. It does the trick easily taking your mind onto the shores of the indian ocean (or Hawaii, or Caribbean, whatever your strongest memory of the tropical paradise you've been to). Clever art. I liked the idea for ages, but not so much the colours. My sailor boy kept nagging for ages oh why can't I create something for his dad for xmas, he'd love a beautiful large boaty piece on his wall in Devon (despite having three originals by local art celebs already). Luckily this Xmas magic happened and  the puzzles lined up in my head. That perfect single stroke is finally found and it is mine.  With no compromise on my signature watercolour technique in whatsoever. Finally the smoothest fine grain italian canvas sitting there lonely ifor awhile was painted. I am truly pleased with that deep deepest deepedy-do turquoise blue achieved with watercolour and oil layers. Out for grabs now and hope you too will fall involve with it in a heart beat. 

===

here is some on processes: 

Applying the  same watercolour technic developed during my atmospheric series I looked to remove unnessesary details and follow more  eloquent minimalistic  approach to small details.

The moored boats are only painted with few strokes complementing that aerial view of the bay.

Depth is achieved through multiple layers of watercolour with a hint of transparent acrylic that is sealed with alkyde medium blend and a dash of oil paint. The modern binder used here is preventing yellowing and fading over time.


===

Finest Italian linen 
Satin UV varnish 
Shipped stretched ready to hang 
well packaged
unframed
Certificate of authenticity

3660 Views

92

View In My Room

Blue Bay | Endless blue Painting

Yuliya Martynova

United Kingdom

Painting, Watercolor on Canvas

Size: 35.8 W x 35.8 H x 0.8 D in

Ships in a Box

SOLD
Originally listed for $2,200

3660 Views

92

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Featured in Inside The Studio

Featured in Inside The Studio

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Crazy time, and none of it for the beach holiday this year. Worked on my Migration collection for 3 months head down. Whole summer gone in a blink of an eye. Sounds familiar? Yes, you and I possibly have that in common. Now, my south-england born & raised partner has an old minimal paining in his bedroom. Beach, sea line, two palm trees and a hammock between them. Few strokes, simple palette. But what a treat waking up to that image in grey rainy London; eye resting, thoughts spinning, memory lane wide open into that little corner on the planet. It does the trick easily taking your mind onto the shores of the indian ocean (or Hawaii, or Caribbean, whatever your strongest memory of the tropical paradise you've been to). Clever art. I liked the idea for ages, but not so much the colours. My sailor boy kept nagging for ages oh why can't I create something for his dad for xmas, he'd love a beautiful large boaty piece on his wall in Devon (despite having three originals by local art celebs already). Luckily this Xmas magic happened and the puzzles lined up in my head. That perfect single stroke is finally found and it is mine. With no compromise on my signature watercolour technique in whatsoever. Finally the smoothest fine grain italian canvas sitting there lonely ifor awhile was painted. I am truly pleased with that deep deepest deepedy-do turquoise blue achieved with watercolour and oil layers. Out for grabs now and hope you too will fall involve with it in a heart beat. === here is some on processes: Applying the same watercolour technic developed during my atmospheric series I looked to remove unnessesary details and follow more eloquent minimalistic approach to small details. The moored boats are only painted with few strokes complementing that aerial view of the bay. Depth is achieved through multiple layers of watercolour with a hint of transparent acrylic that is sealed with alkyde medium blend and a dash of oil paint. The modern binder used here is preventing yellowing and fading over time. === Finest Italian linen Satin UV varnish Shipped stretched ready to hang well packaged unframed Certificate of authenticity

DETAILS AND DIMENSIONS
Painting:

Watercolor on Canvas

Original:

One-of-a-kind Artwork

Size:

35.8 W x 35.8 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1980 in Kazakhstan, Yuliya’s path from a classical arts education to a career in law, and finally, a full-time artist, reads like a journey of rediscovery. After moving to the UK two decades ago, she spent 15 years in the corporate world, working internationally, before trading the office for the easel and unleashing a style now celebrated for its dreamlike, ethereal quality. Her distinct touch - an elegant, almost effortless flow-- soon captivated art curators and collectors alike, landing her work in some of London’s well connected galleries and collaborations with designers, luxury institutions, and hospitality projects. Yuliya’s art has appeared on major film sets, including Doctor Strange (2016), Scandal (2017), and will soon feature in a BBC drama (2025). Her work graced exclusive London clubs and high end dining venues, international luxury hotels (like The Breakers and Aviara Hyatt), private collections worldwide, and most recently, a striking display at Huntsman (11 Saville Raw), London for Mayfair Art week in Jul 2024. In her skyscapes, Yuliya captures a luminous tension between fragility and strength; in her dreamy sailboat series, a sense of isolation and wonder. Her Connected works on paper explore urban rhythm, while her Blossom series meditates on nature’s cyclical grace. Each piece invites viewers into a world between worlds, a weightless realm where nostalgia drifts and emotions resonate softly, like memories you can almost touch. watch the studio process, art shows and behind the scenes on instagram: her life, home, garden, daughter and occasionally a hiding hubby

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, London, London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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