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Painting, Oil on Canvas

11.8 W x 15.7 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$1,055

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Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


the painting is taken from a bust made in the nineteenth century by Pierre Jean David d'Angers

Year Created:

2022

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

11.8 W x 15.7 H x 1.6 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

Need more information?

Contact us.
Alessandro Pagani

About the Artist

Alessandro Pagani

Italy

Alessandro Pagani

is born in Milano in 1973.

"...With a rapacious look, Pagani systematically incorporates visual material which defines and conserves the beauty of historic, aesthetic periods. He has an affinity with these periods and archives them in an orderly way on their own mental shelves. He is
influenced by several cultural niches, by a power of magic, a power of penetrating beauty. We are always talking about secondary areas, interstices, residual areas, which the artist experiences a flavour for, and transforms them into sensations. Through these marginal spaces, authentic sliding doors to a stupefying ultra-reality, Pagani transports himself to distant locations, like a fugitive, or opium smoker (open the doors). For secondary types, like Blaxploitation, boxing, the cinema of the 1970s, the B grade movies, he explores the ravines of a lateral culture, emerging himself into an often hallucinatory bath … His paintings are traditional or classic. However in more recent works, a new element disrupts this formal equilibrium, generating a new rhythm, in composition and significance. The identity of the depicted characters which are well defined in the title of the works, like the grey composure of the
depicted scenes (or rather replicated scenes: the cinema, a pretence of reality) are suddenly negated. It is an explosion of colour which annihilates man (in this pretence), his head exploding with a shot in a pictorial counterpoint."


Gianluca D’Incà Levis

Recognition:

  • Artist featured in a collection

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