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Candy Drop Katakana Retro レトロ - set of 3 Painting
Australia
Painting, Acrylic on Wood
Size: 7.9 W x 7.9 H x 0.2 D in
Ships in a Box
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About The Artwork
Candy Drop Katakana Retro レトロ Excursions into typography. Katakana 'レトロ' painted in freehand on ply, and finished in satin clear. This painting, whilst being minimal in design radiates in it's depth of colour and texture. The precision of the sign writing skill give the lines an etched like texture that can be appreciated and admired on close inspection. Inspired by a weathered advertising sign in Osaka, Japan. Super light and durable. Can be hung easily on most surfaces with mounting tape or Blu Tak. Signed by the artist on the reverse side. - Set of 3 paintings - 20cm x 20cm x 0.4cm each This series can be hung in a multiple of combinations, across multiple spaces. The images provided offer hanging suggestions only. ++See posts for close ups and print options of individual artworks
Details & Dimensions
Multi-paneled Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:7.9 W x 7.9 H x 0.2 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Australia.
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Australia
Originally schooled in Sign writing and later Scenic Art, in 2010 I began exploring and developing techniques in the treatments of typography by means of ( for example ) painting , sanding, masking and the overlaying of type and letter shapes. The original concept of my work was inspired by various weathered sign written signs I had seen mostly high up on the sides of buildings in Melbourne's CBD and also on walls of it's surrounding inner suburbs. It was around this time that I started developing more of an interest in vintage graphic design, package design and vintage typography, and whilst my explorations into letter treatment for the most part remained the same, the focus of my work broadened as I began to consider layout and design, spacial awareness and colour (and it's tones ). By implementing these new concepts and coupling them with my ongoing explorations into typography, I was able to lay the foundations of the style of work that would follow and which continues to be a feature of my work today.
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