




Painting, Oil on Wood
23.6 W x 47.2 H in
Ready to Hang
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Part of the series "No me sigas, yo también estoy perdida" (Don't Follow Me, I Am Also Lost) Down the Rabbit Hole draws directly from Alice's fall into Wonderland and from Duchamp's Fountain, fusing both into a single symbol: the toilet as portal, the threshold between the ordinary and an unknown i...
Year Created:
2025
Subject:
Styles:
Mediums:
Painting, Oil on Wood
Rarity:
One-of-a-kind Artwork
Size:
23.6 W x 47.2 H x 2 D in
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price. An agent fee may be required to process the shipment due to Mexico's export policy.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Mexico.
Customs:
Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.Sofía Ibargüengoitia (Mexico City, 1984) is a visual artist trained in theater at the National School of Theater Arts (INBA), Architecture at UNAM, and holds a Master's Degree in Visual Arts from the same university. Her practice is rooted in painting and expands from there: into object, body, space and theater — territories she treats not as additions but as part of a single language.
She has exhibited in Mexico City, New York, Milan and Barcelona, at venues including the Usagi Gallery, the National Museum of Art and the Museu Europeu d'Art Modern (MEAM).
In 2019 and 2021 she received the Certificate of Artistic Achievement from the Luxemburg Art Prize.
In 2019 she presented "The Incomplete Colors of Mexico" at the Sebastián Foundation in Mexico City, a solo exhibition of paintings on wooden canvases that transform into chairs — works that as objects receive you and as canvases reflect you. That same year she created
"Black Sheep", a large-format piece (5×3 meters) for the Solitude Collection of the Sebastián Foundation, a collection of nearly sixty works brought together by the Mexican sculptor Sebastián.
Her most recent solo exhibition, "Don't Follow Me, I Am Also Lost" (2025), is perhaps the clearest synthesis of that journey: eighteen paintings and a sculptural installation that become a stage for actors, movement, light and music. An experiment in which the painted work transforms its condition as an object of contemplation and asserts itself as a body with a presence of its own.

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